Weaving Codes in Denmark
[blog in progress..]
It was an exhausting but revelatory week, finding out that things that look completely different can be made in the same way. Once you find this out, you perceive these different things as the same thing. I think this is the basis of our project, and the reason why weaving and (live) coding fit together well; they are activities which involve the same thought processes, and in this way are the same activities.
One of the more speculative and risky side outputs for our project is looking for ways to connect weaving with music. Well this is surely a path well-trodden, and we will be reviewing all that has gone before. I wonder if our focus on the notation of weaves will get us somewhere else though, where we can foreground the thought processes and activity of weaving in a way that is as visible as the fabric itself.
The Jacquard mechanism of industrial looms allows us to make fabric without thinking about its structure, and just drawing the end result. By leaving Jacquard to one side and going back to ancient weaving methods such as the warp-weighted loom, the activity and mathematical language of weaving becomes available to us; just as by leaving the modern Graphical User Interface to one side, the underlying activity and mathematical language of code comes available as a way of working and thinking.
In this way, we can look for ways of connecting the making of weaves and of music; making not just as following coded rules, but of following those codes while writing them. Codes not as descriptions, or constraints, but as interface to material. We follow code to make material, and then change codes in response to that material, as a way of navigating the otherwise unfathomable space of possible materials.
Sorry this blog post is a bit unfathomable too, I’ll edit it later..