Publications
You can also browse my publications on zotero. See also interviews.
410483
C2MFV9LL
items
1
100
date
desc
itemtype
1
4283
https://slab.org/wp-content/plugins/zotpress/
%7B%22status%22%3A%22success%22%2C%22updateneeded%22%3Afalse%2C%22instance%22%3A%22zotpress-dcad0e29284ebbf15eec9a6f15ac78f7%22%2C%22meta%22%3A%7B%22request_last%22%3A0%2C%22request_next%22%3A0%2C%22used_cache%22%3Atrue%7D%2C%22data%22%3A%5B%7B%22key%22%3A%22B62G3G9R%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Sicchio%22%2C%22parsedDate%22%3A%222023-06-25%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Kate%20Sicchio.%202023.%20%26%23x201C%3BPreprint%3A%20Live%20Notation%20for%20Patterns%20of%20Movement.%26%23x201D%3B%20%3Ci%3ETDR%20Journal%3C%5C%2Fi%3E%2C%20June.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.8078999%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.8078999%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DUFVTYEQY%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Preprint%3A%20Live%20notation%20for%20patterns%20of%20movement%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Kate%22%2C%22lastName%22%3A%22Sicchio%22%7D%5D%2C%22abstractNote%22%3A%22Work-in-progress%20preprint%20By%20exploring%20how%20we%20might%20create%20movement%20through%20a%20live%20notational%20process%20of%20programming%20in%20real%20time%2C%20we%20aim%20to%20create%20a%20live%20coding%20language%20for%20algorithmic%20choreography.%20Our%20work%20spans%20patterns%2C%20computation%2C%20movement%2C%20notation%2C%20robotics%20and%20performance.%20We%20examine%20weaving%2C%20dance%2C%20and%20musical%20forms%20as%20places%20of%20inspiration.%20We%20also%20develop%20a%20telematic%20performance%20where%20we%20live%20code%20both%20the%20audience%20and%20a%20small%20robot%20in%20order%20to%20use%20practice%20as%20a%20place%20to%20further%20our%20thinking%2C%20tacit%20knowledge%20and%20develop%20notation%20of%20ephemeral%20processes.%20We%20conclude%20by%20considering%20the%20inexhaustible%20quality%20of%20live%2C%20language-based%20approaches%20to%20choreographic%20notation.%22%2C%22date%22%3A%222023-06-25%22%2C%22language%22%3A%22eng%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.8078999%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F8078999%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-06-26T12%3A54%3A48Z%22%7D%7D%2C%7B%22key%22%3A%22H8HMBFRU%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Griffiths%20et%20al.%22%2C%22parsedDate%22%3A%222023-06-08%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EGriffiths%2C%20Dave%2C%20Elizabeth%20Wilson%2C%20Iv%26%23xE1%3Bn%20Paz%2C%20Alex%20McLean%2C%20Joana%20Chicau%2C%20Flor%20de%20Fuego%2C%20Timo%20Hoogland%2C%20Eloi%20Isern%2C%20Michael-Jon%20Mizra%2C%20and%20Robert%20Pibernat.%202023.%20%26%23x201C%3BPatterns%20in%20Deep%20Time.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%2011th%20Conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20%26amp%3B%20X%20%28XCoAx%29%3C%5C%2Fi%3E.%20Wiemar%2C%20Germany.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.34626%5C%2Fxcoax.2023.11th.277%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.34626%5C%2Fxcoax.2023.11th.277%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DS2YRVTQG%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Patterns%20in%20Deep%20Time%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Dave%22%2C%22lastName%22%3A%22Griffiths%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Elizabeth%22%2C%22lastName%22%3A%22Wilson%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Iv%5Cu00e1n%22%2C%22lastName%22%3A%22Paz%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Joana%22%2C%22lastName%22%3A%22Chicau%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Flor%22%2C%22lastName%22%3A%22de%20Fuego%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Timo%22%2C%22lastName%22%3A%22Hoogland%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Eloi%22%2C%22lastName%22%3A%22Isern%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Michael-Jon%22%2C%22lastName%22%3A%22Mizra%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Robert%22%2C%22lastName%22%3A%22Pibernat%22%7D%5D%2C%22abstractNote%22%3A%22In%20this%20paper%2C%20we%20explore%20how%20textile%20pattern-making%20can%20be%20a%20useful%20activity%20for%20live%20coders%20used%20to%20manipulating%20software.%20We%20ran%20an%20algorithmic%20patterns%20workshop%20in%20July%202022%20%5Cu2013%20with%20a%20node%20at%20on_the_fly.collect%28_%29%20festival%20in%20Barcelona%2C%20a%20node%20in%20Sheffield%20and%20the%20workshop%20leader%20in%20Penryn%20%5Cu2013%20where%20we%20created%20an%20activity%20recreating%20ancient%20patterns%20by%20weaving%20on%20tablet%20looms%20that%20we%20constructed%20from%20card%20and%20yarn%2C%20and%20sent%20to%20the%20participants%20for%20this%20remote%5C%2Fmulti%20location%20workshop.%20One%20of%20the%20aims%20of%20the%20Algorithmic%20Pattern%5Cu00a0%20project%20is%20to%20highlight%20the%20relationship%20people%20have%20had%20with%20patterns%20over%20history%2C%20and%20how%20we%20can%20use%20this%20to%20uncover%20certain%20misconceptions%20we%20have%20about%20algorithmic%20patterns%20in%20contemporary%20society.%20We%20collected%20responses%20from%20those%20who%20participated%20in%20the%20workshop%20and%20collated%20the%20responses.%20We%20found%20that%20tablet%20weaving%20allows%20us%20to%20connect%20the%20physical%20patterns%20with%20their%20algorithmic%20descriptions.%20Also%2C%20errors%20relate%20with%20the%20trade%20off%20among%20expectations%20and%20surprise%20and%20exploring%20new%20unexpected%20possibilities.%20Finally%2C%20sharing%20the%20experiences%20among%20the%20participants%20allows%20us%20to%20observe%20how%20we%20interpret%20patterns%20when%20comparing%20it%20with%20others%20experiences.%22%2C%22date%22%3A%222023-06-08%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%2011th%20Conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20%26%20X%20%28xCoAx%29%22%2C%22conferenceName%22%3A%2211th%20Conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20%26%20X%20%28xCoAx%29%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.34626%5C%2Fxcoax.2023.11th.277%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-07-15T12%3A03%3A18Z%22%7D%7D%2C%7B%22key%22%3A%229H44MWPA%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222023-04-19%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20Julian%20Rohrhuber%2C%20and%20Renate%20Weiser.%202023.%20%26%23x201C%3BThe%20Meaning%20of%20Live%3A%20From%20Art%20Without%20Audience%20to%20Programs%20Without%20Users.%26%23x201D%3B%20In%20.%20Utrecht%2C%20Netherlands.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7843567%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7843567%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DREMEM3S4%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22The%20Meaning%20of%20Live%3A%20From%20Art%20Without%20Audience%20to%20Programs%20Without%20Users%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Julian%22%2C%22lastName%22%3A%22Rohrhuber%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Renate%22%2C%22lastName%22%3A%22Weiser%22%7D%5D%2C%22abstractNote%22%3A%22The%20concept%20of%20an%20%60art%20without%20audience%27%20has%20informed%20live%20coding%20since%20its%20beginnings.%20Live%20Coding%20concentrates%20on%20collective%20work%20and%20questions%20the%20division%20between%20producers%20and%20consumers.%20This%20understanding%20of%20art%20has%20enabled%20a%20parallel%20strategy%20in%20the%20understanding%20of%20programming%3A%20just%20as%20an%20audience%20is%20not%20necessary%20for%20art%2C%20a%20user%20isn%27t%20necessary%20for%20programming.%20In%20the%20same%20sense%20as%20we%20question%20the%20separation%20between%20developer%20and%20user%2C%20we%20question%20the%20juxtaposition%20of%20artist%20and%20audience.%20This%20gives%20us%20occasion%20to%20recall%20some%20aspects%20of%20live%20coding%20which%20we%20have%20always%20found%20central%20to%20this%20practice%3A%20the%20displacement%20of%20the%20relation%20between%20programmers%20and%20programs%2C%20and%20the%20emancipatory%20potential%20of%20public%20thought.%22%2C%22date%22%3A%222023-04-19%22%2C%22proceedingsTitle%22%3A%22%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.7843567%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7843567%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-07-06T08%3A31%3A28Z%22%7D%7D%2C%7B%22key%22%3A%225KW8UN8D%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wilson%20et%20al.%22%2C%22parsedDate%22%3A%222023-04-18%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EWilson%2C%20Elizabeth%2C%20Deva%20Schubert%2C%20Mika%20Satomi%2C%20Alex%20McLean%2C%20and%20Juan%20Felipe%20Amaya%20Gozalez.%202023.%20%26%23x201C%3BMosAIck%3A%20Staging%20Contemporary%20AI%20Performance%20-%20Connecting%20Live%20Coding%2C%20E-Textiles%20and%20Movement.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%207th%20International%20Conference%20on%20Live%20Coding%20%28ICLC2023%29%3C%5C%2Fi%3E.%20Utrecht%2C%20Netherlands.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7843540%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7843540%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DRRUS8P75%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22MosAIck%3A%20Staging%20Contemporary%20AI%20Performance%20-%20Connecting%20Live%20Coding%2C%20E-Textiles%20and%20Movement%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Elizabeth%22%2C%22lastName%22%3A%22Wilson%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Deva%22%2C%22lastName%22%3A%22Schubert%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Mika%22%2C%22lastName%22%3A%22Satomi%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Juan%20Felipe%22%2C%22lastName%22%3A%22Amaya%20Gozalez%22%7D%5D%2C%22abstractNote%22%3A%22This%20paper%20introduces%20our%20collective%20work%20%5Cu201cPatterns%20in%20Between%20Intelligences%5Cu201d%2C%20a%20performance%20piece%20that%20builds%20an%20artistic%20practice%20between%20live%20coding%20sounds%20and%20coding%20through%20dance%2C%20mediated%20and%20shaped%20through%20e-textile%20sensors.%20This%20creates%20a%20networked%20system%20of%20which%20both%20live%20coded%20processes%20and%20human%20bodies%20are%20part.%20The%20paper%20describes%20in%20detail%20the%20implementations%20of%20technology%20used%20in%20the%20prototype%20performance%20performed%20at%20No%20Bounds%20Festival%20in%20Sheffield%20UK%2C%20October%202022%2C%20as%20well%20as%20discussions%20and%20concerns%20the%20team%20had%20related%20to%20the%20use%20of%20AI%20technology%20on%20stage.%20The%20paper%20concludes%20with%20a%20narrative%20reflection%20on%20the%20Sheffield%20performance%2C%20and%20reflections%20on%20it.%22%2C%22date%22%3A%222023-04-18%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%207th%20International%20Conference%20on%20Live%20Coding%20%28ICLC2023%29%22%2C%22conferenceName%22%3A%22International%20Conference%20on%20Live%20Coding%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.7843540%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7843540%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T20%3A58%3A38Z%22%7D%7D%2C%7B%22key%22%3A%229GTG9WQS%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Roos%20and%20McLean%22%2C%22parsedDate%22%3A%222023-04-18%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ERoos%2C%20Felix%2C%20and%20Alex%20McLean.%202023.%20%26%23x201C%3BStrudel%3A%20Live%20Coding%20Patterns%20on%20the%20Web.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%207th%20International%20Conference%20on%20Live%20Coding%3C%5C%2Fi%3E.%20Utrecht%2C%20Netherlands.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7842142%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7842142%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DKYFIZ29P%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Strudel%3A%20Live%20Coding%20Patterns%20on%20the%20Web%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Felix%22%2C%22lastName%22%3A%22Roos%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22This%20paper%20introduces%20Strudel%2C%20which%20faithfully%20ports%20the%20TidalCycles%20approach%20to%20live%20coding%20algorithmic%20patterns%20to%20native%20JavaScript%20and%20the%20web.%20We%20begin%20by%20giving%20a%20little%20background%20of%20the%20first%20year%20of%20development%2C%20before%20sharing%20some%20detail%20about%20its%20implementation%20and%20examples%20of%20use.%20We%20go%20on%20to%20outline%20the%20wide%20range%20of%20synthesis%20and%20other%20outputs%20available%20in%20Strudel%2C%20including%20WebAudio%2C%20MIDI%2C%20OSC%20%28for%20SuperDirt%29%2C%20WebSerial%20and%20CSound%2C%20and%20introduce%20Strudel%5Cu2019s%20REPL%20live%20editor%2C%20including%20its%20built-in%20visualisations.%20We%20then%20compare%20Strudel%20with%20Tidal%2C%20the%20trade-offs%20involved%20between%20JavaScript%20and%20Haskell%2C%20and%20the%20unique%20capabilities%20offered%20by%20Strudel%20for%20aligning%20patterns%2C%20before%20concluding%20with%20some%20thoughts%20about%20the%20future.%22%2C%22date%22%3A%222023-04-18%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%207th%20International%20Conference%20on%20Live%20Coding%22%2C%22conferenceName%22%3A%22International%20Conference%20on%20Live%20Coding%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.7842142%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7842142%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-15T15%3A45%3A50Z%22%7D%7D%2C%7B%22key%22%3A%22RFKTPGL5%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Roos%20et%20al.%22%2C%22parsedDate%22%3A%222023-03-23%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ERoos%2C%20Felix%2C%20Alex%20McLean%2C%20Bernhard%20Wagner%2C%20Bradford%20Powell%2C%20urswilke%2C%20Ian%20Clester%2C%20Jack%20Armitage%2C%20et%20al.%202023.%20%3Ci%3EStrudel%20%28Zuckerguss%29%3C%5C%2Fi%3E.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7763205.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22computerProgram%22%2C%22title%22%3A%22Strudel%20%28Zuckerguss%29%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Felix%22%2C%22lastName%22%3A%22Roos%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Bernhard%22%2C%22lastName%22%3A%22Wagner%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Bradford%22%2C%22lastName%22%3A%22Powell%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22urswilke%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Ian%22%2C%22lastName%22%3A%22Clester%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Jack%22%2C%22lastName%22%3A%22Armitage%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Chiaki%22%2C%22lastName%22%3A%22Uehira%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Puria%20Nafisi%22%2C%22lastName%22%3A%22Azizi%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Stephen%22%2C%22lastName%22%3A%22Wolff%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Matthew%22%2C%22lastName%22%3A%22Kaney%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22DEBRIS%22%2C%22lastName%22%3A%22APRON%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Julien%22%2C%22lastName%22%3A%22Bouquillon%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Mike%22%2C%22lastName%22%3A%22Hodnick%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22MysteryHouse%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22charlie%22%2C%22lastName%22%3A%22roberts%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Michael%22%2C%22lastName%22%3A%22Gogins%22%7D%5D%2C%22abstractNote%22%3A%22Package%20Versions%20%40strudel.cycles%5C%2Fcore%400.7.2%20%40strudel.cycles%5C%2Ftranspiler%400.7.1%20%40strudel.cycles%5C%2Fmini%400.7.2%20%40strudel.cycles%5C%2Ftonal%400.7.1%20%40strudel.cycles%5C%2Fxen%400.7.1%20%40strudel.cycles%5C%2Ftone%400.7.1%20%40strudel.cycles%5C%2Fwebaudio%400.7.1%20%40strudel.cycles%5C%2Freact%400.7.1%20%40strudel.cycles%5C%2Fosc%400.7.1%20%40strudel.cycles%5C%2Fserial%400.7.1%20%40strudel.cycles%5C%2Fmidi%400.7.1%20%40strudel.cycles%5C%2Fcsound%400.7.1%20What%27s%20Changed%20pin%20%40csound%5C%2Fbrowser%20to%206.18.3%20%2B%20bump%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F403%20update%20csound%20%2B%20fix%20sound%20output%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F404%20fix%3A%20share%20url%20on%20subpath%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F405%20add%20shabda%20doc%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F407%20Update%20effects.mdx%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F410%20improve%20effects%20doc%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F409%20google%20gtfo%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F413%20improve%20samples%20doc%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F411%20PWA%20with%20offline%20support%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F417%20add%20caching%20strategy%20for%20missing%20file%20types%20%2B%20cache%20all%20samples%20loaded%20from%20github%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F419%20add%20more%20offline%20caching%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F421%20add%20cdn.freesound%20to%20cache%20list%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F425%20minirepl%3A%20add%20keyboard%20shortcuts%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F429%20Themes%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F431%20autocomplete%20preparations%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F427%20Fix%20anchors%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F433%20Update%20code.mdx%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F436%20Update%20mini-notation.mdx%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F437%20Update%20synths.mdx%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F438%20FIXES%3A%20Warning%20about%20jsxBracketSameLine%20deprecation%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F461%20Composable%20functions%20by%20%40yaxu%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F390%20weave%20and%20weaveWith%20by%20%40yaxu%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F465%20slice%20and%20splice%20by%20%40yaxu%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F466%20fix%3A%20osc%20should%20not%20return%20a%20promise%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F472%20FIXES%3A%20freqs%20instead%20of%20pitches%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F464%20Update%20input-output.mdx%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F471%20settings%20tab%20with%20vim%20%5C%2F%20emacs%20modes%20%2B%20additional%20themes%20and%20fonts%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F467%20fix%3A%20hash%20links%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F473%20midi%20cc%20support%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F478%20Fix%20array%20args%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F480%20docs%3A%20packages%20%2B%20offline%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F482%20Update%20mini-notation.mdx%20by%20%40yaxu%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F365%20Revert%20%5C%22Another%20attempt%20at%20composable%20functions%20-%20WIP%20%28%23390%29%5C%22%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F484%20fix%20app%20height%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F485%20add%20algolia%20creds%20%2B%20optimize%20sidebar%20for%20crawling%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F488%20refactor%20react%20package%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F490%20react%20style%20fixes%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F491%20implement%20cps%20in%20scheduler%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F493%20Add%20control%20aliases%20by%20%40yaxu%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F497%20fix%3A%20nano-repl%20highlighting%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F501%20Reinstate%20slice%20and%20splice%20by%20%40yaxu%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F500%20can%20now%20use%20%3A%20as%20a%20replacement%20for%20space%20in%20scales%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F502%20Support%20list%20syntax%20in%20mininotation%20by%20%40yaxu%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F512%20update%20react%20to%2018%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F514%20add%20arrange%20function%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F508%20Update%20README.md%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F474%20add%202%20illegible%20fonts%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F518%20registerSound%20API%20%2B%20improved%20sounds%20tab%20%2B%20regroup%20soundfonts%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F516%20fix%3A%20envelopes%20in%20chrome%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F521%20Update%20samples.mdx%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F524%20Update%20intro.mdx%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F525%20fix%28footer%29%3A%20fix%20link%20to%20tidalcycles%20by%20%40revolunet%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F529%20FIXES%3A%20alias%20pm%20for%20polymeter%20by%20%40bwagner%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F527%20Maintain%20random%20seed%20state%20in%20parser%2C%20not%20globally%20by%20%40ijc8%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F531%20feat%3A%20add%20freq%20support%20to%20gm%20soundfonts%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F534%20Update%20lerna%20by%20%40felixroos%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F535%20New%20Contributors%20%40revolunet%20made%20their%20first%20contribution%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F529%20%40ijc8%20made%20their%20first%20contribution%20in%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fpull%5C%2F531%20Full%20Changelog%3A%20https%3A%5C%2F%5C%2Fgithub.com%5C%2Ftidalcycles%5C%2Fstrudel%5C%2Fcompare%5C%2Fv0.6.0...v0.7.0%22%2C%22versionNumber%22%3A%22%22%2C%22date%22%3A%222023-03-23%22%2C%22system%22%3A%22%22%2C%22company%22%3A%22%22%2C%22programmingLanguage%22%3A%22JavaScript%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7763205%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-18T17%3A45%3A12Z%22%7D%7D%2C%7B%22key%22%3A%225UEFD647%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222023-03-12%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20David%20Ogborn%2C%20Lennart%20Melzer%2C%20Ben%20Gold%2C%20Martin%2C%20Julian%20Rohrhuber%2C%20vivid-synth%2C%20et%20al.%202023.%20%3Ci%3ETidalCycles%201.9.4%20%28Stitch%29%3C%5C%2Fi%3E.%20Zenodo.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7725484.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22computerProgram%22%2C%22title%22%3A%22TidalCycles%201.9.4%20%28Stitch%29%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22David%22%2C%22lastName%22%3A%22Ogborn%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Lennart%22%2C%22lastName%22%3A%22Melzer%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Ben%22%2C%22lastName%22%3A%22Gold%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Martin%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Julian%22%2C%22lastName%22%3A%22Rohrhuber%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22vivid-synth%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22ndr_brt%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Matthew%22%2C%22lastName%22%3A%22Kaney%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22David%22%2C%22lastName%22%3A%22Minnix%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Bernard%22%2C%22lastName%22%3A%22Gray%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Tony%22%2C%22lastName%22%3A%22Day%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22nini-faroux%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Thomas%22%2C%22lastName%22%3A%22Grund%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Pierre%22%2C%22lastName%22%3A%22Krafft%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22jwaldmann%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22pd3v%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Richard%22%2C%22lastName%22%3A%22Marko%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22tpltnt%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Elizabeth%22%2C%22lastName%22%3A%22Wilson%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Matt%22%2C%22lastName%22%3A%22Spendlove%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Patrick%22%2C%22lastName%22%3A%22Thomson%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Steve%22%2C%22lastName%22%3A%22Purcell%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Celeste%22%2C%22lastName%22%3A%22Betancur%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22~lmn%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Alfredo%20Di%22%2C%22lastName%22%3A%22Napoli%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Jeffrey%20Benjamin%22%2C%22lastName%22%3A%22Brown%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22nik%22%2C%22lastName%22%3A%22gaffney%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Lars%20Fabian%22%2C%22lastName%22%3A%22Tuchel%22%7D%2C%7B%22creatorType%22%3A%22programmer%22%2C%22firstName%22%3A%22Mace%22%2C%22lastName%22%3A%22Ojala%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22versionNumber%22%3A%22%22%2C%22date%22%3A%222023-03-12%22%2C%22system%22%3A%22%22%2C%22company%22%3A%22Zenodo%22%2C%22programmingLanguage%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7725484%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-18T17%3A42%3A23Z%22%7D%7D%2C%7B%22key%22%3A%22RT9UAP2Y%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Blackwell%20et%20al.%22%2C%22parsedDate%22%3A%222022-11-22%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EBlackwell%2C%20Alan%2C%20Emma%20Cocker%2C%20Geoff%20Cox%2C%20Alex%20McLean%2C%20and%20Thor%20Magnusson.%202022.%20%3Ci%3ELive%20Coding%3A%20A%20User%26%23x2019%3Bs%20Manual%3C%5C%2Fi%3E.%20MIT%20Press.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7383848.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DTF4XBSND%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Live%20Coding%3A%20A%20User%27s%20Manual%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alan%22%2C%22lastName%22%3A%22Blackwell%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Emma%22%2C%22lastName%22%3A%22Cocker%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geoff%22%2C%22lastName%22%3A%22Cox%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Thor%22%2C%22lastName%22%3A%22Magnusson%22%7D%5D%2C%22abstractNote%22%3A%22The%20first%20comprehensive%20introduction%20to%20the%20origins%2C%20aspirations%2C%20and%20evolution%20of%20live%20coding.%20Performative%2C%20improvised%2C%20on%20the%20fly%3A%20live%20coding%20is%20about%20how%20people%20interact%20with%20the%20world%20and%20each%20other%20via%20code.%20In%20the%20last%20few%20decades%2C%20live%20coding%20has%20emerged%20as%20a%20dynamic%20creative%20practice%2C%20gaining%20attention%20across%20cultural%20and%20technical%20fields%5Cu2014from%20music%20and%20the%20visual%20arts%20to%20computer%20science.%20Live%20Coding%3A%20A%20User%27s%20Manual%20is%20the%20first%20comprehensive%20introduction%20to%20the%20practice%20and%20a%20broader%20cultural%20commentary%20on%20the%20potential%20for%20live%20coding%20to%20open%20up%20deeper%20questions%20about%20contemporary%20cultural%20production%20and%20computational%20culture.%20This%20multiauthored%20book%5Cu2014by%20artists%20and%20musicians%2C%20software%20designers%2C%20and%20researchers%5Cu2014provides%20a%20practice-focused%20account%20of%20the%20origins%2C%20aspirations%2C%20and%20evolution%20of%20live%20coding%2C%20including%20expositions%20from%20a%20wide%20range%20of%20live%20coding%20practitioners.%20In%20a%20more%20conceptual%20register%2C%20the%20authors%20consider%20liveness%2C%20temporality%2C%20and%20knowledge%20in%20relation%20to%20live%20coding%2C%20alongside%20speculating%20on%20the%20practice%27s%20future%20forms.%20This%20archive%20contains%20the%20book%20in%20PDF%2C%20EPUB%20and%20MOBI%20formats%2C%20distributed%20under%20the%20CC-BY-SA%20license.%22%2C%22date%22%3A%222022-11-22%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22978-0-262-37263-3%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Flivecodingbook.toplap.org%5C%2F%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A50%3A57Z%22%7D%7D%2C%7B%22key%22%3A%22SNMWDS77%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Roos%20and%20McLean%22%2C%22parsedDate%22%3A%222022-06-28%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ERoos%2C%20Felix%2C%20and%20Alex%20McLean.%202022.%20%26%23x201C%3BStrudel%3A%20Algorithmic%20Patterns%20for%20the%20Web.%26%23x201D%3B%20In%20.%20Cannes%2C%20France.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.6768844%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.6768844%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DHFP9P9RL%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Strudel%3A%20Algorithmic%20Patterns%20for%20the%20Web%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Felix%22%2C%22lastName%22%3A%22Roos%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22This%20paper%20introduces%20Strudel%20%28or%20sometimes%20StrudelCycles%29%2C%20an%20alternative%20implementation%20of%20the%20Tidal%20%28or%20Tidal-Cycles%29%20live%20coding%20system%2C%20using%20the%20JavaScript%20programming%20language.%20Strudel%20is%20an%20attempt%20to%20make%20live%20coding%20more%20accessible%2C%20by%20creating%20a%20system%20that%20runs%20entirely%20in%20the%20browser%2C%20while%20opening%20Tidals%20approach%20to%20algorithmic%20patterns%20%28Mclean%202020%29%20up%20to%20modern%20audio%5C%2Fvisual%20web%20technologies.%20The%20Strudel%20REPL%20is%20a%20live%20code%20editor%20dedicated%20to%20manipulating%20Strudel%20patterns%20while%20they%20play%2C%20with%20builtin%20visual%20feedback.%20While%20Strudel%20is%20written%20in%20JavaScript%2C%20the%20API%20is%20optimized%20for%20simplicity%20and%20readability%20by%20applying%20code%20transformations%20on%20the%20syntax%20tree%20level%2C%20allowing%20language%20operations%20that%20would%20otherwise%20be%20impossible.%20The%20application%20supports%20multiple%20ways%20to%20output%20sound%2C%20including%20Tone.js%2C%20Web%20Audio%20nodes%2C%20OSC%20%28Open%20Sound%20Control%29%20messages%2C%20Web%20Serial%20andWeb%20MIDI.%20The%20project%20is%20split%20into%20multiple%20packages%2C%20allowing%20granular%20reuse%20in%20other%20applications.%20Apart%20from%20TidalCycles%2C%20Strudel%20draws%20inspiration%20from%20many%20prior%20existing%20projects%20like%20TidalVortex%20%28McLean%20et%20al.%202022%29%2C%20Gibber%20%28Roberts%20and%20Kuchera-morin%202012%29%2C%20Estuary%20%28Ogborn%20et%20al.%202017%29%2C%20Hydra%20%28Jack%20%5B2022%5D%202022%29%2C%20Ocarina%20%28Solomon%20%5B2021%5D%202022%29%20and%20Feedforward%20%28McLean%202020%29.%22%2C%22date%22%3A%222022-06-28%22%2C%22proceedingsTitle%22%3A%22%22%2C%22conferenceName%22%3A%22Web%20Audio%20Conference%22%2C%22language%22%3A%22eng%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.6768844%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F6768844%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-15T15%3A46%3A40Z%22%7D%7D%2C%7B%22key%22%3A%223YXW8GSJ%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Forment%20and%20McLean%22%2C%22parsedDate%22%3A%222022-06-07%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EForment%2C%20Rapha%26%23xEB%3Bl%20Maurice%2C%20and%20Alex%20McLean.%202022.%20%26%23x201C%3BHow%20Live%20Is%20Live%20Coding%3F%20The%20Case%20of%20Tidal%26%23x2019%3Bs%20Longest%20Night.%26%23x201D%3B%20In%20.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.6797573.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DMB7436BD%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22How%20Live%20is%20Live%20Coding%3F%20The%20case%20of%20Tidal%27s%20Longest%20Night.%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Rapha%5Cu00ebl%20Maurice%22%2C%22lastName%22%3A%22Forment%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22From%20the%2021st%20to%20the%2023rd%20of%20December%202021%2C%20more%20than%20one%20hundred%20live%20coders%20from%20the%20TidalCycles%20community%20and%20beyond%20coordinated%20to%20produce%20non-stop%20algorithmic%20audiovisual%20performances%20broadcasted%20openly%20on%20streaming%20platforms.%20For%20the%20analyst%20or%20software%20designer%2C%20this%20event%20represents%20an%20extraordinary%20opportunity%20in%20that%20it%20allows%20to%20study%20a%20wide%20and%20diverse%20range%20of%20performers%20incorporating%20live%20coding%20techniques%20in%20their%20work%20from%20around%20the%20world.%20In%20this%20article%2C%20we%20present%20a%20discussion%20about%20the%20particular%20liveness%20of%20live%20coding%20based%20on%20our%20observations%20of%20these%20performances.%20We%20focus%20on%20code%20editing%20practices%20and%20on%20the%20general%20approach%20to%20the%20medium%20%5Cu2013%20the%20text%20editor%20and%20the%20source%20code%20%5Cu2013%20to%20better%20understand%20how%20live%20coders%20from%20the%20event%20approached%20the%20performing%20act%20and%20how%20they%20designed%20live%20performances%20through%20the%20mediation%20of%20code.%20More%20specifically%2C%20this%20article%20explores%20the%20reasons%20that%20could%20explain%20why%2C%20despite%20the%20fact%20that%20live%20coding%20libraries%20such%20as%20TidalCycles%20are%20built%20to%20encourage%20free%20improvisation%20and%20free%20exploration%20of%20musical%20patterns%2C%20the%20majority%20of%20live%20coders%20do%20not%20start%20their%20performance%20from%20scratch.%22%2C%22date%22%3A%222022-06-07%22%2C%22proceedingsTitle%22%3A%22%22%2C%22conferenceName%22%3A%22Sound%20and%20Music%20Computing%20Conference%20%28SMC%29%22%2C%22language%22%3A%22eng%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F6797573%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T20%3A00%3A36Z%22%7D%7D%2C%7B%22key%22%3A%22RIENFM6X%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222022-04-12%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20Rapha%26%23xEB%3Bl%20Forment%2C%20Sylvain%20Le%20Beux%2C%20and%20Dami%26%23xE1%3Bn%20Silvani.%202022.%20%26%23x201C%3BTidalVortex%20Zero.%26%23x201D%3B%20In%20.%20Limerick%2C%20Ireland.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.6456380.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3D9N6XB3F3%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22TidalVortex%20Zero%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Rapha%5Cu00ebl%22%2C%22lastName%22%3A%22Forment%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Sylvain%22%2C%22lastName%22%3A%22Le%20Beux%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Dami%5Cu00e1n%22%2C%22lastName%22%3A%22Silvani%22%7D%5D%2C%22abstractNote%22%3A%22In%20this%20paper%20we%20introduce%20%5Cu2018version%20zero%5Cu2019%20of%20TidalVortex%2C%20an%20alternative%20implementation%20of%20the%20TidalCycles%20live%20coding%20system%2C%20using%20the%20Python%20programming%20language.%5Cu00a0%20This%20is%20open-ended%20work%2C%20exploring%20what%20happens%20when%20we%20try%20to%20extract%20the%20%27essence%27%20of%20a%20system%20like%20TidalCycles%20and%20translate%20it%20into%20another%20programming%20language%2C%20while%20taking%20advantage%20of%20the%20affordance%20of%20its%20new%20host.%20First%2C%20we%20review%20the%20substantial%20prior%20art%20in%20porting%20TidalCycles%2C%20and%20in%20representing%20musical%20patterns%20in%20Python.%20We%20then%20compare%20equivalent%20patterns%20written%20in%20Haskell%20%28TidalCycles%29%20and%20Python%20%28TidalVortex%29%2C%20and%20relate%20implementation%20details%20of%20how%20functional%20reactive%20paradigms%20have%20translated%20from%20the%20pure%20functional%2C%20strongly%20typed%20Haskell%20to%20the%20more%20multi-paradigm%2C%20dynamically%20typed%20Python.%20Finally%2C%20we%20conclude%20with%20reflections%20and%20generalisable%20outcomes.%22%2C%22date%22%3A%222022-04-12%22%2C%22proceedingsTitle%22%3A%22%22%2C%22conferenceName%22%3A%22International%20Conference%20on%20Computer%20Music%20%28ICMC%29%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F6456380%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-15T15%3A50%3A36Z%22%7D%7D%2C%7B%22key%22%3A%22YJUZMTMD%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222022%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202022.%20%26%23x201C%3BTidalCycles%20Pattern.%26%23x201D%3B%20In%20%3Ci%3EThe%20Book%20of%20X%3A%2010%20Years%20of%20Computation%2C%20Communication%2C%20Aesthetics%20%26amp%3B%20X%3C%5C%2Fi%3E%2C%20edited%20by%20Miguel%20Carvalhais%2C%20Mario%20Verdicchio%2C%20Lu%26%23xED%3Bsa%20Ribas%2C%20and%20Andr%26%23xE9%3B%20Rangel%2C%20235%26%23x2013%3B37.%20i2ADS%5C%2FCITTAR.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.24840%5C%2F978-989-9049-26-0.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DH77BRS6P%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22TidalCycles%20pattern%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Miguel%22%2C%22lastName%22%3A%22Carvalhais%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Mario%22%2C%22lastName%22%3A%22Verdicchio%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Lu%5Cu00edsa%22%2C%22lastName%22%3A%22Ribas%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Andr%5Cu00e9%22%2C%22lastName%22%3A%22Rangel%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22bookTitle%22%3A%22The%20Book%20of%20X%3A%2010%20years%20of%20Computation%2C%20Communication%2C%20Aesthetics%20%26%20X%22%2C%22date%22%3A%222022%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22978-989-9049-26-0%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fbookof.xcoax.org%5C%2Fthebookofx.pdf%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-06-06T15%3A11%3A49Z%22%7D%7D%2C%7B%22key%22%3A%226PGG9TQ3%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222021-12-15%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202021.%20%26%23x201C%3BAlternate%20Timelines%20for%20TidalCycles.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%206th%20International%20Conference%20on%20Live%20Coding%3C%5C%2Fi%3E.%20Valdivia%2C%20Chile.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.5788732.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3D6PRM7BXY%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Alternate%20Timelines%20for%20TidalCycles%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22The%20TidalCycles%20%28or%20Tidal%20for%20short%29%20live%20coding%20environment%20has%20been%20developed%20since%20around%202009%2C%20via%20several%20rewrites%20of%20its%20core%20representation.%20Rather%20than%20having%20fixed%20goals%2C%20this%20development%20has%20been%20guided%20by%20use%2C%20motivated%20by%20the%20open%20aim%20to%20make%20music.%20This%20development%20process%20can%20be%20seen%20as%20a%20long-form%20improvisation%2C%20with%20insights%20into%20the%20nature%20of%20Tidal%20gained%20through%20the%20process%20of%20writing%20it%2C%20feeding%20back%20to%20guide%20the%20next%20steps%20of%20development.%20This%20brings%20the%20worrying%20thought%20that%20key%20insights%20will%20have%20been%20missed%20along%20this%20development%20journey%2C%20that%20would%20otherwise%20have%20lead%20to%20very%20different%20software.%20Indeed%20participants%20at%20beginners%5Cu2019%20workshops%20that%20I%20have%20lead%20or%20co-lead%20have%20often%20asked%20questions%20without%20good%20answers%2C%20because%20they%20made%20deficiencies%20or%20missing%20features%20in%20the%20software%20clear.%20It%20is%20well%20known%20that%20a%20beginner%5Cu2019s%20mind%20is%20able%20to%20see%20much%20that%20an%20expert%20has%20become%20blind%20to.%20Running%20workshops%20are%20an%20excellent%20way%20to%20find%20new%20development%20ideas%2C%20but%20the%20present%20paper%20explores%20a%20different%20technique%20%5Cu2013%20the%20rewrite.%22%2C%22date%22%3A%222021-12-15%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%206th%20International%20Conference%20on%20Live%20Coding%22%2C%22conferenceName%22%3A%22International%20Conference%20on%20Live%20Coding%22%2C%22language%22%3A%22eng%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F5788732%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-15T15%3A33%3A50Z%22%7D%7D%2C%7B%22key%22%3A%223RACDPTJ%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wilson%20et%20al.%22%2C%22parsedDate%22%3A%222021-07-12%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EWilson%2C%20Elizabeth%2C%20Shawn%20Lawson%2C%20Alex%20McLean%2C%20and%20Jeremy%20Stewart.%202021.%20%26%23x201C%3BAutonomous%20Creation%20of%20Musical%20Pattern%20from%20Types%20and%20Models%20in%20Live%20Coding.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%209th%20Conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20%26amp%3B%20X%3C%5C%2Fi%3E.%20Online.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.5891046%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.5891046%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3D3D232GM8%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Autonomous%20Creation%20of%20Musical%20Pattern%20from%20Types%20and%20Models%20in%20Live%20Coding%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Elizabeth%22%2C%22lastName%22%3A%22Wilson%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Shawn%22%2C%22lastName%22%3A%22Lawson%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jeremy%22%2C%22lastName%22%3A%22Stewart%22%7D%5D%2C%22abstractNote%22%3A%22In%20this%20paper%20we%20describe%20the%20implementation%20of%20an%20autonomous%20agent%20for%20live%20coding%5Cu2014the%20practice%20of%20creating%20art%20in%20real-time%20by%20writing%20computer%20code.%20The%20TidalCycles%20language%20%28an%20extension%20of%20the%20strongly%20typed%20functional%20programming%20language%20Haskell%29%20is%20used%20for%20the%20generation%20of%20new%20musical%20patterns.%20This%20is%20integrated%20as%20part%20of%20a%20system%20which%20allows%20automatic%20suggestion%20of%20the%20agent%5Cu2019s%20patterns%20to%20a%20live%20coder.%20We%20aim%20for%20this%20to%20be%20a%20co-creative%20system%2C%20using%20machine%20agents%20to%20explore%20not-yet%20conceptualised%20code%20sequences%20and%20support%20coders%20in%20asking%20new%20questions.%22%2C%22date%22%3A%222021-07-12%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%209th%20Conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20%26%20X%22%2C%22conferenceName%22%3A%22Conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20%26%20X%20%28xCoAx%29%22%2C%22language%22%3A%22eng%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.5891046%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F5891046%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-15T15%3A49%3A40Z%22%7D%7D%2C%7B%22key%22%3A%22SZELPN88%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Harlizius-Kl%5Cu00fcck%20and%20McLean%22%2C%22parsedDate%22%3A%222021-03-29%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EHarlizius-Kl%26%23xFC%3Bck%2C%20Ellen%2C%20and%20Alex%20McLean.%202021.%20%26%23x201C%3BPENELOPE%20-%20A%20Study%20of%20Weaving%20as%20Technical%20Mode%20of%20Existence.%26%23x201D%3B%20In%20%3Ci%3EAlgorithmic%20and%20Aesthetic%20Literacy.%20Emerging%20Transdisciplinary%20Explorations%20for%20the%20Digital%20Age%3C%5C%2Fi%3E%2C%2059%26%23x2013%3B80.%20Opladen%3A%20Barbara%20Budrich.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7628707.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DD9P3BKL8%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22PENELOPE%20-%20A%20study%20of%20weaving%20as%20technical%20mode%20of%20existence%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ellen%22%2C%22lastName%22%3A%22Harlizius-Kl%5Cu00fcck%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22Weaving%20is%20presented%20in%20this%20paper%20with%20relation%20to%20the%20four%20key%20categories%20of%20computational%20thinking%3A%20decomposition%2C%20pattern%20recognition%2C%20abstraction%2C%20and%20algorithms.%5Cu00a0The%20role%20of%20weaving%20for%20the%20development%20of%20theoretical%20concepts%20is%20underestimated%2C%20because%20we%20perceive%20weaving%20as%20a%20minor%20craft%20with%20little%20technological%20challenge%20and%20impact.%20Where%20technological%20progress%20is%20measured%20in%20terms%20of%20gaining%20time%20from%20dull%20and%20tedious%20repetitive%20tasks%2C%20weaving%20appears%20to%20be%20the%20archetype%20of%20such%20repetitive%20work%20and%20thus%20as%20the%20more%20technological%20the%20faster%20it%20goes.%20We%20address%20this%20framing%20of%20perception%20by%20presenting%20ancient%20weaving%20as%20the%20earliest%20binary%20and%20digital%20technology.%20The%20PENELOPE%20project%20%28ERC%20CoGrant%20no.%20682711%29%20aims%20to%20develop%20a%20theory%20of%20weaving%20as%20part%20of%20a%20deep%20history%20and%20epistemology%20for%20digital%20technology.%20In%20explicating%20the%20mathematical%20and%20computing%20principles%20invoked%20in%20weaving%2C%20we%20furthermore%20explore%20weaving%20as%20a%20kind%20of%20education%20that%20has%20the%20potential%20to%20engage%20tacit%20knowledge%20that%20is%20necessary%20to%20make%20technical%20and%20aesthetic%20choices%20in%20coding.%20By%20this%2C%20we%20argue%20for%20an%20alternative%20history%20of%20digital%20art.%22%2C%22bookTitle%22%3A%22Algorithmic%20and%20Aesthetic%20Literacy.%20Emerging%20Transdisciplinary%20Explorations%20for%20the%20Digital%20Age%22%2C%22date%22%3A%222021-03-29%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22978-3-8474-2428-4%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7628707%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-15T15%3A43%3A17Z%22%7D%7D%2C%7B%22key%22%3A%225WDLYR8B%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Mclean%22%2C%22parsedDate%22%3A%222020-06-01%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMclean%2C%20Alex.%202020.%20%26%23x201C%3BAlgorithmic%20Pattern.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%20International%20Conference%20on%20New%20Interfaces%20for%20Musical%20Expression%3C%5C%2Fi%3E%2C%20265--270.%20Birmingham%2C%20UK.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F4813352%27%3Ehttps%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F4813352%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DGE7DJFUX%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Algorithmic%20Pattern%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22Mclean%22%7D%5D%2C%22abstractNote%22%3A%22This%20paper%20brings%20together%20two%20main%20perspectives%20on%20algorithmic%20pattern.%20First%2C%20the%20writing%20of%20musical%20patterns%20in%20live%20coding%20performance%2C%20and%20second%2C%20the%20weaving%20of%20patterns%20in%20textiles.%20In%20both%20cases%2C%20algorithmic%20pattern%20is%20an%20interface%20between%20the%20human%20and%20the%20outcome%2C%20where%20small%20changes%20have%20far-reaching%20impact%20on%20the%20results.%20By%20bringing%20contemporary%20live%20coding%20and%20ancient%20textile%20approaches%20together%2C%20we%20reach%20a%20common%20view%20of%20pattern%20as%20algorithmic%20movement%20%28e.g.%20looping%2C%20shifting%2C%20reflecting%2C%20interfering%29%20in%20the%20making%20of%20things.%20This%20works%20beyond%20the%20usual%20definition%20of%20pattern%20used%20in%20musical%20interfaces%2C%20of%20mere%20repeating%20sequences.%20We%20conclude%20by%20considering%20the%20place%20of%20algorithmic%20pattern%20in%20a%20wider%20activity%20of%20making.%22%2C%22date%22%3A%222020-06-01%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%20International%20Conference%20on%20New%20Interfaces%20for%20Musical%20Expression%22%2C%22conferenceName%22%3A%22NIME2020%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F4813352%22%2C%22collections%22%3A%5B%22URZ5R56A%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222022-06-24T21%3A20%3A35Z%22%7D%7D%2C%7B%22key%22%3A%22HTPFXN84%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Fanfani%20et%20al.%22%2C%22parsedDate%22%3A%222020-04-02%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EFanfani%2C%20Giovanni%2C%20Dave%20Griffiths%2C%20Ellen%20Harlizius-Kl%26%23xFC%3Bck%2C%20Annapurna%20Mamidipudi%2C%20and%20Alex%20McLean.%202020.%20%26%23x201C%3B%28Micro-%29Performing%20Ancient%20Weaving%20in%20the%20PENELOPE%20Project.%26%23x201D%3B%20%3Ci%3EPerformance%20Research%3C%5C%2Fi%3E%2025%20%283%29%3A%20123%26%23x2013%3B30.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F13528165.2020.1807772%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F13528165.2020.1807772%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DNVHX63JV%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22%28Micro-%29Performing%20Ancient%20Weaving%20in%20the%20PENELOPE%20project%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Giovanni%22%2C%22lastName%22%3A%22Fanfani%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Dave%22%2C%22lastName%22%3A%22Griffiths%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ellen%22%2C%22lastName%22%3A%22Harlizius-Kl%5Cu00fcck%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Annapurna%22%2C%22lastName%22%3A%22Mamidipudi%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22What%20does%20an%20ancient%20weaver%20know%2C%20when%20she%20knows%20how%20to%20weave%3F%20How%20is%20this%20complex%20knowledge%20graspable%20and%20representable%3F%20The%20article%20presents%20the%20research%20practice%20of%20the%20PENELOPE%20project%20as%20it%20sets%20to%20explore%20the%20distinctive%20logic%20and%20order%20of%20ancient%20weaving%20%5Cu2212%20an%20inferential%20dimension%20embedded%20in%20the%20material%20and%20thus%20mainly%20implicit%2C%20which%20is%20best%20grasped%20through%20performing%20and%20which%20we%20address%20here%20as%20microperformative.%20In%20archaic%20Greek%20literary%20and%20philosophical%20sources%2C%20weaving%20is%20cast%20as%20a%20technology%20capable%20of%20imposing%20order%2C%20creating%20complex%20structure%2C%20and%20providing%20a%20model%20for%20cosmic%20generation.%20This%20pre-scientific%20%5Cu2018knowledge%20through%20order%5Cu2019%20that%20weaving%20affords%20is%20in%20turn%20embedded%20in%20a%20performance%20culture%20where%20notions%20like%20kosmos%20and%20poikilia%20refer%20to%20woven%20fabrics%2C%20performances%20of%20song-and-dance%2C%20patterns%20in%20nature%20and%20in%20craft.%20The%20production%20of%20textile%20patterns%20incorporates%20the%20organization%20of%20elements%20into%20wholes%20in%20a%20way%20that%20is%20logical%20and%20algorithmic%20yet%20still%20unsuited%20to%20be%20laid%20down%20in%20writing.%20The%20mode%20of%20knowing%20specific%20to%20weaving%20is%20a%20liminal%20notion%20at%20the%20intersection%20of%20technology%2C%20knowledge%2C%20and%20embodied%20practice.%20Labelling%20this%20mode%20of%20ordering%20as%20microperformativity%2C%20one%20implication%20is%20that%20reflective%20decision-making%2C%20non-propositional%20knowledge%20and%20material%20agency%20all%20have%20a%20bearing%20on%20how%20in%20weaving%20threads%20perform%20together%20with%20the%20algorithm%20employed%20by%20the%20weaver%2C%20who%20needs%20to%20make%20decisions%20on%20repeats%20and%20recursion%20to%20generate%20a%20coherent%20whole.%20Using%20self-made%20technology%2C%20we%20then%20attempt%20to%20convey%20through%20performances%20the%20elements%20included%20as%20separate%20acts%20in%20weaving%20on%20the%20warp-weighted%20loom%20of%20antiquity.%20The%20order%20and%20patterns%20of%20weaving%20circulate%20through%20a%20multimodal%20and%20multimedial%20performance%20where%20the%20rhythms%20of%20ancient%20Greek%20poetry%2C%20manipulated%20as%20musical%20pattern%20by%20the%20live%20coder%2C%20govern%20the%20choreography%20of%20a%20set%20of%20synchronized%20arachnoid%20robots%20plaiting%20a%20braid%20by%20dancing%20around%20a%20maypole.%22%2C%22date%22%3A%22April%202%2C%202020%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1080%5C%2F13528165.2020.1807772%22%2C%22ISSN%22%3A%221352-8165%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F13528165.2020.1807772%22%2C%22collections%22%3A%5B%22PPJX8UIT%22%2C%22I3TTVQNK%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222021-04-30T10%3A19%3A56Z%22%7D%7D%2C%7B%22key%22%3A%22PBIDT26U%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Harlizius-Kl%5Cu00fcck%20and%20McLean%22%2C%22parsedDate%22%3A%222020%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EHarlizius-Kl%26%23xFC%3Bck%2C%20Ellen%2C%20and%20Alex%20McLean.%202020.%20%26%23x201C%3BThe%20PENELOPE%20Project%3A%20A%20Case%20Study%20in%20Computational%20Thinking.%26%23x201D%3B%20In%20%3Ci%3EAlgorithmic%20and%20Aesthetic%20Literacy%20Matter%3A%20Approaches%20for%20a%20Transformative%20Network%20Society%3C%5C%2Fi%3E.%20Verlag%20Barbara%20Budrich.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F4680852%27%3Ehttps%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F4680852%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DSYA4T4AI%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22The%20PENELOPE%20Project%3A%20A%20case%20study%20in%20computational%20thinking%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ellen%22%2C%22lastName%22%3A%22Harlizius-Kl%5Cu00fcck%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22bookTitle%22%3A%22Algorithmic%20and%20Aesthetic%20Literacy%20Matter%3A%20Approaches%20for%20a%20Transformative%20Network%20Society%22%2C%22date%22%3A%222020%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22978-3-8474-2428-4%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F4680852%22%2C%22collections%22%3A%5B%22PPJX8UIT%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A41%3A57Z%22%7D%7D%2C%7B%22key%22%3A%22VRJJ2EZN%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222020%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202020.%20%26%23x201C%3BThe%20Live%20Loom.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%205th%20International%20Conference%20on%20Live%20Coding%3C%5C%2Fi%3E.%20Limerick%2C%20Ireland%3A%20University%20of%20Limerick.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.3939176%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.3939176%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DEDUGNJ6V%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22The%20Live%20Loom%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222020%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%205th%20International%20Conference%20on%20Live%20Coding%22%2C%22conferenceName%22%3A%22International%20Conference%20on%20Live%20Coding%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.3939176%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F3939176%22%2C%22collections%22%3A%5B%22PPJX8UIT%22%2C%22X8ANBLZ4%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T08%3A52%3A56Z%22%7D%7D%2C%7B%22key%22%3A%22UJGE9ISN%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Andersen%20et%20al.%22%2C%22parsedDate%22%3A%222019-12-26%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EAndersen%2C%20Kristina%2C%20Ron%20Wakkary%2C%20Laura%20Devendorf%2C%20and%20Alex%20McLean.%202019.%20%26%23x201C%3BDigital%20Crafts-Machine-Ship%3A%20Creative%20Collaborations%20with%20Machines.%26%23x201D%3B%20%3Ci%3EACM%20Interactions%3C%5C%2Fi%3E%2027%20%281%29%3A%2030%26%23x2013%3B35.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1145%5C%2F3373644%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1145%5C%2F3373644%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3D4GT32ALW%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Digital%20crafts-machine-ship%3A%20Creative%20collaborations%20with%20machines%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Kristina%22%2C%22lastName%22%3A%22Andersen%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ron%22%2C%22lastName%22%3A%22Wakkary%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Laura%22%2C%22lastName%22%3A%22Devendorf%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%2226%5C%2F12%5C%2F2019%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1145%5C%2F3373644%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Finteractions.acm.org%5C%2Farchive%5C%2Fview%5C%2Fjanuary-february-2020%5C%2Fdigital-crafts-machine-ship%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-17T14%3A58%3A25Z%22%7D%7D%2C%7B%22key%22%3A%22T4IA6RF2%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Bell%22%2C%22parsedDate%22%3A%222019-01-16%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Renick%20Bell.%202019.%20%26%23x201C%3BPattern%2C%20Code%20and%20Algorithmic%20Drumming%20Circles.%26%23x201D%3B%20In%20%3Ci%3EPublication%20Title%3A%20Proceedings%20of%20the%20Fourth%20International%20Conference%20on%20Live%20Coding%3C%5C%2Fi%3E.%20Madrid%2C%20Spain%3A%20Medialab%20Prado%20%5C%2F%20Madrid%20Destino.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.3946174%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.3946174%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3D7Z8ZK758%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Pattern%2C%20Code%20and%20Algorithmic%20Drumming%20Circles%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Renick%22%2C%22lastName%22%3A%22Bell%22%7D%5D%2C%22abstractNote%22%3A%22A%20report%20on%20Pattern%20%2B%20Code%2C%20a%20project%20working%20with%20primary%20school%20children%20to%20explore%20codes%20through%20both%20textiles%20and%20musical%20code%2C%20creating%20an%20audio%5C%2Fvisual%20installation%20and%20live%20performance.%20The%20project%20came%20in%20three%20parts%3A%20Knot%20Coding%2C%20hiding%20messages%20in%20string%2C%20inspired%20by%20Andean%20Quipu%2C%20Algorithmic%20Drumming%20Circles%2C%20live%20coding%20percussive%2C%20cyclic%20music%20in%20groups%20of%20eight%2C%20and%20finally%20a%20live%20coding%20quartet%20performance.%20The%20paper%20concludes%20by%20considering%20how%20knot%20coding%20and%20live%20coding%20could%20be%20brought%20together%20in%20the%20future.%22%2C%22date%22%3A%222019-01-16%22%2C%22proceedingsTitle%22%3A%22Publication%20Title%3A%20Proceedings%20of%20the%20Fourth%20International%20Conference%20on%20Live%20Coding%22%2C%22conferenceName%22%3A%22International%20Conference%20on%20Live%20Coding%202019%20%28ICLC%202019%29%22%2C%22language%22%3A%22eng%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.3946174%22%2C%22ISBN%22%3A%22978-84-18299-08-7%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F3946174%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T10%3A07%3A48Z%22%7D%7D%2C%7B%22key%22%3A%22KNMEYMMK%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222019%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202019.%20%26%23x201C%3BAlgorave%3A%20Dancing%20to%20Algorithms.%26%23x201D%3B%20In%20%3Ci%3EThe%20Cambridge%20Companion%20to%20Music%20in%20Digital%20Culture%3C%5C%2Fi%3E%2C%20edited%20by%20Nicholas%20Cook%2C%20Monique%20M.%20Ingalls%2C%20and%20DavidEditors%20Trippett%2C%20175%26%23x2013%3B77.%20Cambridge%20Companions%20to%20Music.%20Cambridge%20University%20Press.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1017%5C%2F9781316676639.016.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DB4KC478R%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Algorave%3A%20Dancing%20to%20Algorithms%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Nicholas%22%2C%22lastName%22%3A%22Cook%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Monique%20M.%22%2C%22lastName%22%3A%22Ingalls%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22DavidEditors%22%2C%22lastName%22%3A%22Trippett%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22bookTitle%22%3A%22The%20Cambridge%20Companion%20to%20Music%20in%20Digital%20Culture%22%2C%22date%22%3A%222019%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22file%3A%5C%2F%5C%2F%5C%2Fhome%5C%2Falex%5C%2FDownloads%5C%2Falgorave-dancing-to-algorithms.pdf%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A49%3A24Z%22%7D%7D%2C%7B%22key%22%3A%22VDHW5XJ8%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Harlizius-Kl%5Cu00fcck%22%2C%22parsedDate%22%3A%222018-09-19%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Ellen%20Harlizius-Kl%26%23xFC%3Bck.%202018.%20%26%23x201C%3BFabricating%20Algorithmic%20Art.%26%23x201D%3B%20In%20%3Ci%3EParsing%20Digital%3C%5C%2Fi%3E%2C%2010%26%23x2013%3B21.%20London%2C%20UK%3A%20Austrian%20Cultural%20Forum.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.2155745.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DPW6PIFEM%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Fabricating%20Algorithmic%20Art%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ellen%22%2C%22lastName%22%3A%22Harlizius-Kl%5Cu00fcck%22%7D%5D%2C%22abstractNote%22%3A%22%5Cu201cWe%20build%20our%20computers%20the%20way%20we%20build%20our%20cities%20--%20over%20time%2C%20without%20a%20plan%2C%20on%20top%20of%20ruins.%5Cu201d%20Ellen%20Ullman%20%281998%29%20The%20above%20quote%20refers%20to%20the%20historical%20layers%20that%20make%20up%20our%20computer%20operating%20systems%2C%20where%20newly%20developed%20user%20interfaces%20are%20successively%20placed%20on%20top%20of%20the%20old%20ones%2C%20creating%20a%20kind%20of%20palimpsest.%20Behind%20the%20graphical%20user%20interface%20we%20find%20a%20text-based%20one%2C%20then%20a%20programming%20language%2C%20then%20a%20low-level%20assembly%20language%2C%20then%20machine%20and%20microcode%2C%20until%20we%20eventually%20meet%20with%20physical%20electronic%20circuits.%20The%20conventional%20timeline%20for%20computing%20technology%20as%20a%20whole%20begins%20earlier%20still%2C%20with%20the%20discovery%20of%20the%20electronic%20transistor%20a%20century%20ago.%20Each%20of%20these%20layers%20has%20had%20its%20heyday%20as%20the%20dominant%20user%20interface%20of%20its%20time%2C%20and%20indeed%20each%20has%20been%20used%20to%20make%20algorithmic%20systems%20for%2C%20or%20indeed%20as%2C%20art.%20There%20is%20much%20artwork%20to%20be%20recognised%20throughout%20this%20period%2C%20but%20if%20we%20keep%20digging%2C%20there%20are%20many%20more%20ruins%20to%20be%20found.%20Through%20research%20during%20our%20European%20Research%20Council%20project%20PENELOPE%2C%20we%20find%20that%20algorithms%20have%20been%20present%20in%20everyday%20life%20for%20millennia.%20In%20the%20following%20we%20will%20explore%20some%20examples%20which%20support%20this%20claim%2C%20with%20focus%20on%20our%20recent%20work%20while%20resident%20at%20the%20Textiles%20Zentrum%20Haslach%20in%20Austria.%22%2C%22bookTitle%22%3A%22Parsing%20Digital%22%2C%22date%22%3A%222018-09-19%22%2C%22language%22%3A%22eng%22%2C%22ISBN%22%3A%229789999269391%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F2155745%22%2C%22collections%22%3A%5B%22PPJX8UIT%22%2C%22X8ANBLZ4%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222020-04-09T12%3A29%3A46Z%22%7D%7D%2C%7B%22key%22%3A%223CF4E3ST%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222018-06-14%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20Ellen%20Harlizius-Kl%26%23xFC%3Bck%2C%20and%20David%20Griffiths.%202018.%20%26%23x201C%3BDigital%20Art%3A%20A%20Long%20History.%26%23x201D%3B%20In%20%2C%2071%26%23x2013%3B77.%20Porto%2C%20Portugal.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.2556604%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.2556604%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DTULG57RD%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Digital%20Art%3A%20A%20Long%20History%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ellen%22%2C%22lastName%22%3A%22Harlizius-Kl%5Cu00fcck%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22David%22%2C%22lastName%22%3A%22Griffiths%22%7D%5D%2C%22abstractNote%22%3A%22A%20digital%20representation%20is%20one%20based%20on%20countable%2C%20discrete%20values%2C%20but%20definitions%20of%20Digital%20Art%20do%20not%20always%20take%20account%20of%20this.%20We%20examine%20the%20nature%20of%20digital%20and%20analogue%20representations%2C%20and%20draw%20from%20a%20rich%20pre-industrial%20and%20ancient%20history%20of%20their%20presence%20in%20the%20arts%2C%20with%20emphasis%20on%20textile%20weaves.%20We%20reflect%20on%20how%20this%20approach%20opens%20up%20a%20long%2C%20rich%20history%2C%20arguing%20that%20our%20understanding%20of%20digital%20art%20should%20be%20based%20on%20discrete%20pattern%2C%20rather%20than%20technological%20fashion.%22%2C%22date%22%3A%222018-06-14%22%2C%22proceedingsTitle%22%3A%22%22%2C%22conferenceName%22%3A%224th%20International%20Conference%20on%20Live%20Interfaces%20%28ICLI%202018%29%22%2C%22language%22%3A%22eng%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.2556604%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F2556604%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-11-14T16%3A58%3A16Z%22%7D%7D%2C%7B%22key%22%3A%22FE3DGR63%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Dean%20and%20McLean%22%2C%22parsedDate%22%3A%222018-03%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EDean%2C%20Roger%20T.%2C%20and%20Alex%20McLean%2C%20eds.%202018.%20%3Ci%3EThe%20Oxford%20Handbook%20of%20Algorithmic%20Music%3C%5C%2Fi%3E.%20New%20York%2C%20NY%3A%20OUP%20USA.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22The%20Oxford%20Handbook%20of%20Algorithmic%20Music%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Roger%20T.%22%2C%22lastName%22%3A%22Dean%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22With%20the%20ongoing%20development%20of%20algorithmic%20composition%20programs%20and%20communities%20of%20practice%20expanding%2C%20algorithmic%20music%20faces%20a%20turning%20point.%20Joining%20dozens%20of%20emerging%20and%20established%20scholars%20alongside%20leading%20practitioners%20in%20the%20field%2C%20chapters%20in%20this%20Handbook%20both%20describe%20the%20state%20of%20algorithmic%20composition%20and%20also%20set%20the%20agenda%20for%20critical%20research%20on%20and%20analysis%20of%20algorithmic%20music.%20Organized%20into%20four%20sections%2C%20chapters%20explore%20the%20music%27s%20history%2C%20utility%2C%20community%2C%20politics%2C%20and%20potential%20for%20mass%20consumption.%20Contributors%20address%20such%20issues%20as%20the%20role%20of%20algorithms%20as%20co-performers%2C%20live%20coding%20practices%2C%20and%20discussions%20of%20the%20algorithmic%20culture%20as%20it%20currently%20exists%20and%20what%20it%20can%20potentially%20contribute%20society%2C%20education%2C%20and%20ecommerce.%20Chapters%20engage%20particularly%20with%20post-human%20perspectives%20-%20what%20new%20musics%20are%20now%20being%20found%20through%20algorithmic%20means%20which%20humans%20could%20not%20otherwise%20have%20made%20-%20and%2C%20in%20reciprocation%2C%20how%20algorithmic%20music%20is%20being%20assimilated%20back%20into%20human%20culture%20and%20what%20meanings%20it%20subsequently%20takes.%20Blending%20technical%2C%20artistic%2C%20cultural%2C%20and%20scientific%20viewpoints%2C%20this%20Handbook%20positions%20algorithmic%20music%20making%20as%20an%20essentially%20human%20activity.%22%2C%22date%22%3A%22March%202018%22%2C%22language%22%3A%22English%22%2C%22ISBN%22%3A%22978-0-19-022699-2%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222019-05-13T06%3A45%3A11Z%22%7D%7D%2C%7B%22key%22%3A%22SVN8QTR2%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Dean%22%2C%22parsedDate%22%3A%222018-02-22%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Roger%20T.%20Dean.%202018.%20%26%23x201C%3BMusical%20Algorithms%20as%20Tools%2C%20Languages%2C%20and%20Partners.%26%23x201D%3B%20%3Ci%3EThe%20Oxford%20Handbook%20of%20Algorithmic%20Music%3C%5C%2Fi%3E%2C%20February.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.1228952%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.1228952%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DZ23UAJV6%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Musical%20Algorithms%20as%20Tools%2C%20Languages%2C%20and%20Partners%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Roger%20T.%22%2C%22lastName%22%3A%22Dean%22%7D%5D%2C%22abstractNote%22%3A%22This%20is%20an%20introductory%20chapter%20to%20The%20Oxford%20Handbook%20of%20Algorithmic%20Music%2C%20and%20the%20practical%2C%20historical%2C%20philosophical%2C%20and%20cultural%20perspectives%20that%20it%20covers.%20This%20chapter%20outlines%20the%20structure%20and%20scope%20of%20the%20book%2C%20provides%20some%20background%20and%20motivation%20for%20its%20focus%2C%20covers%20points%20of%20terminology%2C%20and%20summarizes%20the%20development%20of%20the%20field%20in%20the%20modern%20era.%20It%20then%20signposts%20the%20following%20chapters%20and%20relates%20them%20to%20one%20another%20in%20terms%20of%20some%20of%20the%20key%20issues%20that%20are%20covered.%20As%20algorithmic%20music%20is%20a%20fast-developing%20field%2C%20the%20chapter%20then%20outlines%20contemporary%20directions%20in%20order%20to%20look%20forward%20to%20the%20next%20steps%20in%20both%20research%20and%20practice.%20The%20chapter%20concludes%20with%20further%20signposting%2C%20this%20time%20to%20literature%20which%20may%20be%20read%20in%20partnership%20with%20the%20present%20volume.%22%2C%22date%22%3A%222018%5C%2F02%5C%2F22%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.1228952%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.oxfordhandbooks.com%5C%2Fview%5C%2F10.1093%5C%2Foxfordhb%5C%2F9780190226992.001.0001%5C%2Foxfordhb-9780190226992-e-24%22%2C%22collections%22%3A%5B%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A30%3A08Z%22%7D%7D%2C%7B%22key%22%3A%22XZSFLBXG%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Magnusson%20and%20McLean%22%2C%22parsedDate%22%3A%222018-02-01%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMagnusson%2C%20Thor%2C%20and%20Alex%20McLean.%202018.%20%26%23x201C%3BPerforming%20with%20Patterns%20of%20Time.%26%23x201D%3B%20In%20.%20Oxford%20University%20Press.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.1193251.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DQCDCE6L7%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Performing%20with%20Patterns%20of%20Time%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Thor%22%2C%22lastName%22%3A%22Magnusson%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22Music%20is%20a%20time-based%20art%20form%20often%20characterised%20by%20patternings%3B%20manipulations%20of%20sequences%20over%20time.%20Composers%20and%20performers%20may%20think%20in%20terms%20of%20patterns%2C%20although%20the%20structure%20of%20patterned%20sequences%20are%20often%20not%20made%20explicit%20in%20musical%20notation.%20This%20chapter%20explores%20how%20musical%20sequences%20can%20be%20created%20and%20transformed%20in%20real-time%20performance%20through%20patterning%20functions.%20Topics%20related%20to%20the%20use%20of%20algorithms%20for%20pattern-making%20are%20discussed%2C%20and%20two%20systems%20are%20introduced%20-%20ixi%20lang%20and%20TidalCycles%2C%20as%20high%20level%20and%20expressive%20mini-languages%20for%20musical%20pattern.%22%2C%22bookTitle%22%3A%22%22%2C%22date%22%3A%222018-02-01%22%2C%22language%22%3A%22eng%22%2C%22ISBN%22%3A%22978-0-19-022699-2%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F1193251%23.WuBvmnUvzrc%22%2C%22collections%22%3A%5B%22PPJX8UIT%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222018-04-25T12%3A08%3A00Z%22%7D%7D%2C%7B%22key%22%3A%22CI6ZIFHT%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Dean%22%2C%22parsedDate%22%3A%222018-02-01%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Roger%20Dean.%202018.%20%26%23x201C%3BAlgorithmic%20Trajectories.%26%23x201D%3B%20In%20.%20Oxford%20University%20Press.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.1228959.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DRCG94VUT%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Algorithmic%20Trajectories%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Roger%22%2C%22lastName%22%3A%22Dean%22%7D%5D%2C%22abstractNote%22%3A%22We%20jointly%20designed%20and%20edited%20this%20volume%20%5BOxford%20Handbook%20of%20Algorithmic%20Music%5D%5Cu00a0because%20of%20our%20complementary%2C%20overlapping%20yet%20highly%20contrasting%20backgrounds%20%28we%20have%20performed%20together%20and%20met%20first%20in%20the%20context%20of%20music%20research%29.%20The%20contrast%20between%20us%20stems%20both%20from%20our%20differing%20time%20frames%20of%20involvement%2C%20and%20from%20the%20fact%20that%20AM%20makes%20music%20primarily%20%28usually%20solely%29%20via%20a%20computer%20and%20in%20real-time%20whereas%20RTD%20is%20an%20acoustic%20instrumentalist%20%28particularly%20keyboards%2C%20often%20with%20computers%29%2C%20and%20a%20composer%20%28offline%29%20as%20well%20as%20improviser%20%28real-time%29.%20While%20AM%20was%20using%20computers%20from%20an%20early%20age%2C%20and%20began%20serious%20programming%20around%201986%20%28aged%2011%29%2C%20RTD%20first%20used%20a%20%28desktop%29%20computer%20in%20around%201982%20%28already%20aged%20more%20than%2030%29.%20So%20in%20this%20final%20Perspective%20on%20Practice%2C%20we%20will%20discuss%20our%20own%20experiences%20and%20the%20development%20of%20our%20current%20enthusiasms.%20We%20hope%20that%20brief%20consideration%20of%20these%20trajectories%20will%20have%20some%20interest%20for%20readers%20seeking%20to%20engage%20with%20the%20breadth%20of%20our%20field%20of%20algorithmic%20music.%20We%20drafted%20our%20own%20sections%2C%20and%20then%20jointly%20edited%20the%20chapter%2C%20providing%20a%20brief%20conclusion%3B%20we%20also%20took%20advantage%20of%20helpful%20suggestions%20from%20external%20reviewers.%20See%20Note%201%20to%20this%20chapter%20for%20information%20on%20cd%20and%20other%20sources%20of%20the%20music%20mentioned%20in%20the%20two%20authors%5Cu2019%20sections%20that%20follow.%22%2C%22bookTitle%22%3A%22%22%2C%22date%22%3A%222018-02-01%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22978-0-19-022699-2%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F1228959%23.WuB2PnUvzrc%22%2C%22collections%22%3A%5B%22PPJX8UIT%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222018-04-25T12%3A36%3A51Z%22%7D%7D%2C%7B%22key%22%3A%22LMCND9ME%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222018%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20Giovanni%20Fanfani%2C%20and%20Ellen%20Harlizius-Kl%26%23xFC%3Bck.%202018.%20%26%23x201C%3BCyclic%20Patterns%20of%20Movement%20across%20Weaving%2C%20Epiplok%26%23x113%3B%20and%20Live%20Coding.%26%23x201D%3B%20%3Ci%3EDancecult%3A%20Journal%20of%20Electronic%20Dance%20Music%20Culture%3C%5C%2Fi%3E%2010%20%281%29%3A%205%26%23x2013%3B30.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2Fhttp%3A%5C%2F%5C%2Fdx.doi.org%5C%2F%2010.12801%5C%2F1947-5403.2018.10.01.01%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2Fhttp%3A%5C%2F%5C%2Fdx.doi.org%5C%2F%2010.12801%5C%2F1947-5403.2018.10.01.01%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DYVFN43M4%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Cyclic%20Patterns%20of%20Movement%20across%20Weaving%2C%20Epiplok%5Cu0113%20and%20Live%20Coding%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Giovanni%22%2C%22lastName%22%3A%22Fanfani%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ellen%22%2C%22lastName%22%3A%22Harlizius-Kl%5Cu00fcck%22%7D%5D%2C%22abstractNote%22%3A%22This%20article%20hosts%20an%20interdisciplinary%20exploration%20of%20cyclic%20rhythmic%20structures%2C%20bringing%20together%20historical%20references%20to%20ground%20understanding%20of%20algorithmic%20electronic%20dance%20music%2C%20and%20in%20particular%20the%20algorave%20movement.%20The%20role%20of%20pattern%20in%20uniting%20dance%2C%20music%20and%20language%20is%20investigated%20in%20the%20ancient%20practice%20of%20weaving%2C%20in%20ancient%20Greek%20choral%20lyric%2C%20and%20contemporary%20live%20coding.%20In%20this%20context%20the%20TidalCycles%20environment%20is%20introduced%2C%20with%20some%20visual%20and%20audio%20examples.%20Cyclic%20metrical%20patterns%20in%20ancient%20Greek%20are%20then%20explored%20in%20detail%2C%20particularly%20the%20metrical%20transformations%20of%20Epiplok%5Cu0113.%20Finally%2C%20this%20jump%20between%20contemporary%20and%20ancient%20practice%20leads%20us%20to%20consider%20algorave%20itself%20as%20a%20Luddite%20movement%2C%20its%20proponents%20engaged%20in%20an%20unravelling%20of%20technology.%22%2C%22date%22%3A%222018%22%2C%22language%22%3A%22en-US%22%2C%22DOI%22%3A%22http%3A%5C%2F%5C%2Fdx.doi.org%5C%2F%2010.12801%5C%2F1947-5403.2018.10.01.01%22%2C%22ISSN%22%3A%221947-5403%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdj.dancecult.net%5C%2Findex.php%5C%2Fdancecult%5C%2Farticle%5C%2Fview%5C%2F1036%22%2C%22collections%22%3A%5B%22PPJX8UIT%22%2C%22X8ANBLZ4%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222020-04-09T12%3A28%3A45Z%22%7D%7D%2C%7B%22key%22%3A%22QBXYI9IX%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Sicchio%20and%20McLean%22%2C%22parsedDate%22%3A%222017-07-03%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ESicchio%2C%20Kate%2C%20and%20Alex%20McLean.%202017.%20%26%23x201C%3BSound%20Choreography%20%26lt%3B%26gt%3B%20Body%20Code%3A%20Software%20Deployment%20and%20Notational%20Engagement%20without%20Trace.%26%23x201D%3B%20%3Ci%3EContemporary%20Theatre%20Review%3C%5C%2Fi%3E%2027%20%283%29%3A%20405%26%23x2013%3B10.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F10486801.2017.1343244%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F10486801.2017.1343244%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DQ5YZVEJX%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Sound%20Choreography%20%3C%3E%20Body%20Code%3A%20Software%20Deployment%20and%20Notational%20Engagement%20without%20Trace%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Kate%22%2C%22lastName%22%3A%22Sicchio%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22July%203%2C%202017%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1080%5C%2F10486801.2017.1343244%22%2C%22ISSN%22%3A%221048-6801%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F10486801.2017.1343244%22%2C%22collections%22%3A%5B%22PPJX8UIT%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222019-05-13T06%3A44%3A28Z%22%7D%7D%2C%7B%22key%22%3A%22PEA774FV%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222017-06-02%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202017.%20%26%23x201C%3BLessons%20from%20the%20Luddites.%26%23x201D%3B%20%3Ci%3EFurtherfield%3C%5C%2Fi%3E%20%28blog%29.%20June%202%2C%202017.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fwww.furtherfield.org%5C%2Flessons-from-the-luddites%5C%2F%27%3Ehttps%3A%5C%2F%5C%2Fwww.furtherfield.org%5C%2Flessons-from-the-luddites%5C%2F%3C%5C%2Fa%3E.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22blogPost%22%2C%22title%22%3A%22Lessons%20from%20the%20Luddites%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22In%20which%20the%20spectre%20of%20the%20Luddite%20software%20engineer%20is%20raised%2C%20in%20an%20AI-driven%20future%20where%20programming%20languages%20become%20commercially%20redundant%2C%20and%20therefore%20take%20on%20new%20cultural%20significance.%22%2C%22blogTitle%22%3A%22Furtherfield%22%2C%22date%22%3A%222017-06-02T08%3A14%3A07%2B00%3A00%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.furtherfield.org%5C%2Flessons-from-the-luddites%5C%2F%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-15T15%3A40%3A53Z%22%7D%7D%2C%7B%22key%22%3A%2274K3SCDP%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222017-04-03%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20Ellen%20Harlizius-Kl%26%23xFC%3Bck%2C%20and%20Janis%20Jefferies.%202017.%20%26%23x201C%3BIntroduction%3A%20Weaving%20Codes%2C%20Coding%20Weaves.%26%23x201D%3B%20%3Ci%3ETEXTILE%3C%5C%2Fi%3E%2015%20%282%29%3A%20118%26%23x2013%3B23.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F14759756.2017.1298232%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F14759756.2017.1298232%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DVB6ZE7XZ%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Introduction%3A%20Weaving%20Codes%2C%20Coding%20Weaves%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ellen%22%2C%22lastName%22%3A%22Harlizius-Kl%5Cu00fcck%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Janis%22%2C%22lastName%22%3A%22Jefferies%22%7D%5D%2C%22abstractNote%22%3A%22This%20article%20introduces%20the%20TEXTILE%20special%20issue%20on%20Weaving%20Codes%2C%20Coding%20Weaves%2C%20and%20the%20project%20of%20the%20same%20name%2C%20which%20was%20funded%20by%20the%20Arts%20and%20Humanities%20Research%20Council%20for%2018%20months%20from%20September%202014.%20We%20introduce%20the%20collaborators%20of%20this%20interdisciplinary%20project%2C%20spanning%20textiles%2C%20music%2C%20arts%20technology%2C%20computer%20science%2C%20mathematics%2C%20anthropology%2C%20media%20theory%2C%20and%20philosophy.%20We%20tell%20the%20multifaceted%20story%20of%20how%20we%20met%20and%20began%20to%20collaborate%2C%20following%20prescient%20activities%20in%20textiles%2C%20music%20performance%2C%20live%20art%2C%20and%20computer%20programming%20that%20have%20met%20confluence%20in%20our%20project.%20This%20forms%20an%20introduction%20to%20the%20articles%20produced%20by%20these%20collaborators%2C%20either%20as%20part%20of%20the%20Weaving%20Codes%20project%2C%20or%20in%20parallel%20with%20it.%20We%20conclude%20by%20looking%20to%20the%20future%2C%20in%20particular%20the%20five%20year%20ERC%20PENELOPE%20project%20now%20beginning%20in%20the%20Deutsches%20Museum%20in%20Munich.%22%2C%22date%22%3A%22April%203%2C%202017%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1080%5C%2F14759756.2017.1298232%22%2C%22ISSN%22%3A%221475-9756%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F14759756.2017.1298232%22%2C%22collections%22%3A%5B%22PPJX8UIT%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222019-05-13T06%3A42%3A14Z%22%7D%7D%2C%7B%22key%22%3A%224HCRJQ8J%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Griffiths%20and%20McLean%22%2C%22parsedDate%22%3A%222017-04-03%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EGriffiths%2C%20David%2C%20and%20Alex%20McLean.%202017.%20%26%23x201C%3BTextility%20of%20Code%3A%20A%20Catalogue%20of%20Errors.%26%23x201D%3B%20%3Ci%3ETEXTILE%3C%5C%2Fi%3E%2015%20%282%29%3A%20198%26%23x2013%3B214.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F14759756.2017.1298308%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F14759756.2017.1298308%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DGKPTSVBI%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Textility%20of%20Code%3A%20A%20Catalogue%20of%20Errors%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22David%22%2C%22lastName%22%3A%22Griffiths%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22This%20article%20presents%20a%20series%20of%20informal%20experiments%20in%20software%20and%20weaving%2C%20most%20of%20which%20were%20conducted%20as%20part%20of%20the%20Weaving%20Codes%2C%20Coding%20Weaves%20project.%20Different%20aspects%20of%20weaving%2C%20including%20plain%20weave%2C%20a%20four-shaft%20loom%2C%20tablet%20weaving%20and%20warp-weighted%20weaving%20are%20simulated%2C%20in%20order%20to%20gain%20greater%20understanding%20of%20the%20craft%20from%20the%20perspective%20of%20computer%20science.%20The%20production%20rules%20of%20L-Systems%20are%20employed%20to%20begin%20to%20explore%20the%20expansive%20possibilities%20offered%20even%20by%20our%20simple%20simulations.%20In%20order%20to%20test%20our%20models%20and%20gain%20deeper%20understanding%2C%20the%20languages%20we%20produce%20are%20interpreted%20both%20as%20computer%20simulations%20and%20by%20our%20human%20selves%2C%20through%20the%20weaving%20of%20textile%20by%20hand.%20Physical%20user%20interfaces%20are%20introduced%2C%20in%20order%20to%20help%20communicate%20the%20structures%20and%20thought%20processes%20of%20weaving.%20Finally%2C%20we%20share%20our%20approach%20to%20representing%20a%20weave%20from%20the%20point%20of%20view%20of%20a%20thread.%20Throughout%2C%20our%20aim%20is%20not%20to%20simulate%20a%20weave%20in%20its%20entirety%2C%20but%20to%20gain%20and%20share%20insights%20into%20its%20complexity%2C%20and%20begin%20see%20how%20the%20long%20history%20of%20weaving%2C%20as%20a%20fundamentally%20digital%20yet%20ancient%20craft%2C%20can%20inform%20the%20younger%20fields%20of%20computer%20science%20and%20engineering.%22%2C%22date%22%3A%22April%203%2C%202017%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1080%5C%2F14759756.2017.1298308%22%2C%22ISSN%22%3A%221475-9756%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F14759756.2017.1298308%22%2C%22collections%22%3A%5B%22PPJX8UIT%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222019-05-13T06%3A44%3A47Z%22%7D%7D%2C%7B%22key%22%3A%2294RCZIBI%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Burland%20and%20McLean%22%2C%22parsedDate%22%3A%222016%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EBurland%2C%20Karen%2C%20and%20Alex%20McLean.%202016.%20%26%23x201C%3BUnderstanding%20Live%20Coding%20Events.%26%23x201D%3B%20%3Ci%3EInternational%20Journal%20of%20Performance%20Arts%20and%20Digital%20Media%3C%5C%2Fi%3E%2012%20%282%29%3A%20139%26%23x2013%3B51.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F14794713.2016.1227596%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1080%5C%2F14794713.2016.1227596%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DSYSWWEZ9%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Understanding%20live%20coding%20events%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Karen%22%2C%22lastName%22%3A%22Burland%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222016%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1080%5C%2F14794713.2016.1227596%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fdx.doi.org%5C%2F10.1080%5C%2F14794713.2016.1227596%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222019-05-13T06%3A45%3A35Z%22%7D%7D%2C%7B%22key%22%3A%225JKVXFRI%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Ogborn%20et%20al.%22%2C%22parsedDate%22%3A%222015%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EOgborn%2C%20David%2C%20Eldad%20Tsabary%2C%20Ian%20Jarvis%2C%20Alexandra%20Cardenas%2C%20and%20Alex%20McLean.%202015.%20%26%23x201C%3BExtramuros%3A%20Making%20Music%20in%20a%20Browser-Based%2C%20Language-Neutral%20Collaborative%20Live%20Coding%20Environment.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%20First%20International%20Conference%20on%20Live%20Coding%2C%20University%20of%20Leeds%2C%20ICSRiM%3C%5C%2Fi%3E.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Ficlc.toplap.org%5C%2F2015%5C%2Fmeta%5C%2F100_Extramuros_making_music_in_a_browser.pdf%27%3Ehttps%3A%5C%2F%5C%2Ficlc.toplap.org%5C%2F2015%5C%2Fmeta%5C%2F100_Extramuros_making_music_in_a_browser.pdf%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DXL8H2P9I%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Extramuros%3A%20making%20music%20in%20a%20browser-based%2C%20language-neutral%20collaborative%20live%20coding%20environment%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22David%22%2C%22lastName%22%3A%22Ogborn%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Eldad%22%2C%22lastName%22%3A%22Tsabary%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ian%22%2C%22lastName%22%3A%22Jarvis%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alexandra%22%2C%22lastName%22%3A%22Cardenas%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222015%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%20First%20International%20Conference%20on%20Live%20Coding%2C%20University%20of%20Leeds%2C%20ICSRiM%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Ficlc.toplap.org%5C%2F2015%5C%2Fmeta%5C%2F100_Extramuros_making_music_in_a_browser.pdf%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A02%3A15Z%22%7D%7D%2C%7B%22key%22%3A%22UHTPQUTE%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Padilla%20et%20al.%22%2C%22parsedDate%22%3A%222015%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EPadilla%2C%20Victor%2C%20Alex%20McLean%2C%20Alan%20Marsden%2C%20and%20Kia%20Ng.%202015.%20%26%23x201C%3BImproving%20Optical%20Music%20Recognition%20by%20Combining%20Outputs%20from%20Multiple%20Sources.%26%23x201D%3B%20In%20%3Ci%3EISMIR%3C%5C%2Fi%3E%2C%20517%26%23x2013%3B23.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Feprints.lancs.ac.uk%5C%2Fid%5C%2Feprint%5C%2F84562%5C%2F%27%3Ehttps%3A%5C%2F%5C%2Feprints.lancs.ac.uk%5C%2Fid%5C%2Feprint%5C%2F84562%5C%2F%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3D9NNRBZT6%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Improving%20Optical%20Music%20Recognition%20by%20Combining%20Outputs%20from%20Multiple%20Sources.%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Victor%22%2C%22lastName%22%3A%22Padilla%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alan%22%2C%22lastName%22%3A%22Marsden%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Kia%22%2C%22lastName%22%3A%22Ng%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222015%22%2C%22proceedingsTitle%22%3A%22ISMIR%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Feprints.lancs.ac.uk%5C%2Fid%5C%2Feprint%5C%2F84562%5C%2F%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A05%3A54Z%22%7D%7D%2C%7B%22key%22%3A%224WX5JNGT%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222015%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202015.%20%26%23x201C%3BReflections%20on%20Live%20Coding%20Collaboration.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%203rd%20Conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20and%20X%20%28XCoAx%29%3C%5C%2Fi%3E.%20%3Ca%20href%3D%27http%3A%5C%2F%5C%2F2015.xcoax.org%5C%2Fpdf%5C%2Fxcoax2015-McLean.pdf%27%3Ehttp%3A%5C%2F%5C%2F2015.xcoax.org%5C%2Fpdf%5C%2Fxcoax2015-McLean.pdf%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DZ5YUHC9X%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Reflections%20on%20Live%20Coding%20Collaboration%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222015%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%203rd%20conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20and%20X%20%28xCoAx%29%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2F2015.xcoax.org%5C%2Fpdf%5C%2Fxcoax2015-McLean.pdf%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A34%3A49Z%22%7D%7D%2C%7B%22key%22%3A%2265AHCJI9%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222015%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20Thor%20Magnusson%2C%20Kia%20Ng%2C%20Shelly%20Knotts%2C%20and%20Joanne%20Armitage%2C%20eds.%202015.%20%3Ci%3EProceedings%20of%20the%201st%20International%20Conference%20on%20Live%20Coding%3C%5C%2Fi%3E.%20Leeds%2C%20United%20Kingdom%3A%20ICSRiM%2C%20School%20of%20Music.%20%3Ca%20href%3D%27http%3A%5C%2F%5C%2Fsro.sussex.ac.uk%5C%2Fid%5C%2Feprint%5C%2F60029%5C%2F1%5C%2Ficlc2015-proceedings.pdf%27%3Ehttp%3A%5C%2F%5C%2Fsro.sussex.ac.uk%5C%2Fid%5C%2Feprint%5C%2F60029%5C%2F1%5C%2Ficlc2015-proceedings.pdf%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DUS6ICCV9%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Proceedings%20of%20the%201st%20International%20Conference%20on%20Live%20Coding%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Thor%22%2C%22lastName%22%3A%22Magnusson%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Kia%22%2C%22lastName%22%3A%22Ng%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Shelly%22%2C%22lastName%22%3A%22Knotts%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Joanne%22%2C%22lastName%22%3A%22Armitage%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222015%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22978-0-85316-340-4%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fsro.sussex.ac.uk%5C%2Fid%5C%2Feprint%5C%2F60029%5C%2F1%5C%2Ficlc2015-proceedings.pdf%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A34%3A01Z%22%7D%7D%2C%7B%22key%22%3A%22INZ4CQS2%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Ng%20et%20al.%22%2C%22parsedDate%22%3A%222014-07%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ENg%2C%20Kia%2C%20Alex%20McLean%2C%20and%20Alan%20Marsden.%202014.%20%26%23x201C%3BBig%20Data%20Optical%20Music%20Recognition%20with%20Multi%20Images%20and%20Multi%20Recognisers.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20Electronic%20Visualisation%20and%20the%20Arts%3C%5C%2Fi%3E.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.14236%5C%2Fewic%5C%2Feva2014.26%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.14236%5C%2Fewic%5C%2Feva2014.26%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3D4VFVZRMY%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Big%20Data%20Optical%20Music%20Recognition%20with%20Multi%20Images%20and%20Multi%20Recognisers%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Kia%22%2C%22lastName%22%3A%22Ng%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alan%22%2C%22lastName%22%3A%22Marsden%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22July%202014%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20Electronic%20Visualisation%20and%20the%20Arts%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.14236%5C%2Fewic%5C%2Feva2014.26%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fdx.doi.org%5C%2F10.14236%5C%2Fewic%5C%2Feva2014.26%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222019-05-13T06%3A40%3A12Z%22%7D%7D%2C%7B%22key%22%3A%2239VVX52T%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Ng%20et%20al.%22%2C%22parsedDate%22%3A%222014-07%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ENg%2C%20Kia%2C%20Joanne%20Armitage%2C%20and%20Alex%20McLean.%202014.%20%26%23x201C%3BThe%20Colour%20of%20Music%3A%20Real-Time%20Music%20Visualisation%20with%20Synaesthetic%20Sound-Colour%20Mapping.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20Electronic%20Visualisation%20and%20the%20Arts%3C%5C%2Fi%3E.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.14236%5C%2Fewic%5C%2Feva2014.3%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.14236%5C%2Fewic%5C%2Feva2014.3%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DCKQJ59FI%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22The%20Colour%20of%20Music%3A%20Real-time%20Music%20Visualisation%20with%20Synaesthetic%20Sound-colour%20Mapping%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Kia%22%2C%22lastName%22%3A%22Ng%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Joanne%22%2C%22lastName%22%3A%22Armitage%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22July%202014%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20Electronic%20Visualisation%20and%20the%20Arts%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.14236%5C%2Fewic%5C%2Feva2014.3%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fdx.doi.org%5C%2F10.14236%5C%2Fewic%5C%2Feva2014.3%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222019-05-13T06%3A44%3A54Z%22%7D%7D%2C%7B%22key%22%3A%22N7YYDUF2%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Collins%20and%20McLean%22%2C%22parsedDate%22%3A%222014-06-30%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ECollins%2C%20Nick%2C%20and%20Alex%20McLean.%202014.%20%26%23x201C%3BAlgorave%3A%20Live%20Performance%20of%20Algorithmic%20Electronic%20Dance%20Music.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%20International%20Conference%20on%20New%20Interfaces%20for%20Musical%20Expression%3C%5C%2Fi%3E%2C%20355%26%23x2013%3B58.%20London%2C%20United%20Kingdom.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7927270%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7927270%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3D3XDZGDEE%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Algorave%3A%20Live%20Performance%20of%20Algorithmic%20Electronic%20Dance%20Music%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Nick%22%2C%22lastName%22%3A%22Collins%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22The%20algorave%20movement%20has%20received%20reasonable%20international%20exposure%20in%20the%20last%20two%20years%2C%20including%20a%20series%20of%20concerts%20in%20Europe%20and%20beyond%2C%20and%20press%20coverage%20in%20a%20number%20of%20media.%20This%20paper%20seeks%20to%20illuminate%20some%20of%20the%20historical%20precedents%20to%20the%20scene%2C%20its%20primary%20aesthetic%20goals%2C%20and%20the%20divergent%20technological%20and%20musical%20approaches%20of%20representative%20participants.%20We%20keep%20in%20mind%20the%20novel%20possibilities%20in%20musical%20expression%20explored%20by%20algoravers.%20The%20scene%20is%20by%20no%20means%20homogeneous%2C%20and%20the%20very%20lack%20of%20uniformity%20of%20technique%2C%20from%20new%20live%20coding%20languages%20through%20code%20DJing%20to%20plug-in%20combination%2C%20with%20or%20without%20visual%20extension%2C%20is%20indicative%20of%20the%20flexibility%20of%20computers%20themselves%20as%20general%20information%20processors.%22%2C%22date%22%3A%222014-06-30%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%20International%20Conference%20on%20New%20Interfaces%20for%20Musical%20Expression%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.7927270%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7927270%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-15T15%3A54%3A35Z%22%7D%7D%2C%7B%22key%22%3A%22DDVQMXQ2%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Padilla%20et%20al.%22%2C%22parsedDate%22%3A%222014%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EPadilla%2C%20Victor%2C%20Alan%20Marsden%2C%20Alex%20McLean%2C%20and%20Kia%20Ng.%202014.%20%26%23x201C%3BImproving%20OMR%20for%20Digital%20Music%20Libraries%20with%20Multiple%20Recognisers%20and%20Multiple%20Sources.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%20ACM%5C%2FIEEE%20International%20Digital%20Libraries%20for%20Musicology%20Workshop%3C%5C%2Fi%3E%2C%201%26%23x2013%3B8.%20ACM.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdl.acm.org%5C%2Fdoi%5C%2F10.1145%5C%2F2660168.2660175%27%3Ehttps%3A%5C%2F%5C%2Fdl.acm.org%5C%2Fdoi%5C%2F10.1145%5C%2F2660168.2660175%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DJ5AB35AK%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Improving%20OMR%20for%20Digital%20Music%20Libraries%20with%20Multiple%20Recognisers%20and%20Multiple%20Sources%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Victor%22%2C%22lastName%22%3A%22Padilla%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alan%22%2C%22lastName%22%3A%22Marsden%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Kia%22%2C%22lastName%22%3A%22Ng%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222014%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%20ACM%5C%2FIEEE%20International%20Digital%20Libraries%20for%20Musicology%20workshop%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdl.acm.org%5C%2Fdoi%5C%2F10.1145%5C%2F2660168.2660175%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A05%3A00Z%22%7D%7D%2C%7B%22key%22%3A%22TKFAV37X%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Blackwell%20et%20al.%22%2C%22parsedDate%22%3A%222014%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EBlackwell%2C%20Alan%2C%20Alex%20McLean%2C%20James%20Noble%2C%20and%20Julian%20Rohrhuber.%202014.%20%26%23x201C%3BCollaboration%20and%20Learning%20through%20Live%20Coding%20%28Dagstuhl%20Seminar%2013382%29.%26%23x201D%3B%20Edited%20by%20Alan%20Blackwell%2C%20Alex%20McLean%2C%20James%20Noble%2C%20and%20Julian%20Rohrhuber.%20%3Ci%3EDagstuhl%20Reports%3C%5C%2Fi%3E%203%20%289%29%3A%20130%26%23x2013%3B68.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2Fhttp%3A%5C%2F%5C%2Fdx.doi.org%5C%2F10.4230%5C%2FDagRep.3.9.130%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2Fhttp%3A%5C%2F%5C%2Fdx.doi.org%5C%2F10.4230%5C%2FDagRep.3.9.130%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DD55F3PTF%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Collaboration%20and%20learning%20through%20live%20coding%20%28Dagstuhl%20Seminar%2013382%29%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alan%22%2C%22lastName%22%3A%22Blackwell%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22James%22%2C%22lastName%22%3A%22Noble%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Julian%22%2C%22lastName%22%3A%22Rohrhuber%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Alan%22%2C%22lastName%22%3A%22Blackwell%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22James%22%2C%22lastName%22%3A%22Noble%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Julian%22%2C%22lastName%22%3A%22Rohrhuber%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222014%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22http%3A%5C%2F%5C%2Fdx.doi.org%5C%2F10.4230%5C%2FDagRep.3.9.130%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fdrops.dagstuhl.de%5C%2Fopus%5C%2Fvolltexte%5C%2F2014%5C%2F4420%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%228REAM7TM%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222019-05-13T06%3A40%3A30Z%22%7D%7D%2C%7B%22key%22%3A%222PF3F57G%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Hession%20and%20McLean%22%2C%22parsedDate%22%3A%222014%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EHession%2C%20Paul%2C%20and%20Alex%20McLean.%202014.%20%26%23x201C%3BExtending%20Instruments%20with%20Live%20Algorithms%20in%20a%20Percussion%20%5C%2F%20Code%20Duo.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%2050th%20Anniversary%20Convention%20of%20the%20AISB%3A%20Live%20Algorithms%3C%5C%2Fi%3E.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7927264%27%3Ehttps%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7927264%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3D9PLEWK3I%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Extending%20Instruments%20with%20Live%20Algorithms%20in%20a%20Percussion%20%5C%2F%20Code%20Duo%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Paul%22%2C%22lastName%22%3A%22Hession%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222014%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%2050th%20Anniversary%20Convention%20of%20the%20AISB%3A%20Live%20Algorithms%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7927264%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A01%3A27Z%22%7D%7D%2C%7B%22key%22%3A%2255F6IRUB%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Parkinson%20and%20McLean%22%2C%22parsedDate%22%3A%222014%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EParkinson%2C%20Adam%2C%20and%20Alex%20McLean.%202014.%20%26%23x201C%3BInterfacing%20with%20the%20Night.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%202nd%20International%20Conference%20on%20Live%20Interfaces%3C%5C%2Fi%3E.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fresearch.gold.ac.uk%5C%2Fid%5C%2Feprint%5C%2F12843%5C%2F%27%3Ehttps%3A%5C%2F%5C%2Fresearch.gold.ac.uk%5C%2Fid%5C%2Feprint%5C%2F12843%5C%2F%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DG752VCHV%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Interfacing%20with%20the%20Night%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Adam%22%2C%22lastName%22%3A%22Parkinson%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222014%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%202nd%20International%20Conference%20on%20Live%20Interfaces%22%2C%22conferenceName%22%3A%22International%20Conference%20on%20Live%20Interfaces%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fresearch.gold.ac.uk%5C%2Fid%5C%2Feprint%5C%2F12843%5C%2F%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A06%3A43Z%22%7D%7D%2C%7B%22key%22%3A%22IN4DP4VD%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222014%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202014.%20%26%23x201C%3BMaking%20Programming%20Languages%20to%20Dance%20to%3A%20Live%20Coding%20with%20Tidal.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%202nd%20ACM%20SIGPLAN%20International%20Workshop%20on%20Functional%20Art%2C%20Music%2C%20Modelling%20and%20Design%3C%5C%2Fi%3E.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1145%5C%2F2633638.2633647%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1145%5C%2F2633638.2633647%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DMAGKNN28%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Making%20programming%20languages%20to%20dance%20to%3A%20Live%20Coding%20with%20Tidal%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222014%22%2C%22proceedingsTitle%22%3A%22proceedings%20of%20the%202nd%20ACM%20SIGPLAN%20International%20Workshop%20on%20Functional%20Art%2C%20Music%2C%20Modelling%20and%20Design%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1145%5C%2F2633638.2633647%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fslab.org%5C%2Ftmp%5C%2Fp63.pdf%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A22%3A38Z%22%7D%7D%2C%7B%22key%22%3A%22BHHCVHHA%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Cox%20and%20McLean%22%2C%22parsedDate%22%3A%222014%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ECox%2C%20Geoff%2C%20and%20Alex%20McLean.%202014.%20%26%23x201C%3BNot%20Just%20For%20Fun.%26%23x201D%3B%20In%20%3Ci%3EFun%20and%20Software%3A%20Exploring%20Pleasure%2C%20Paradox%20and%20Pain%20in%20Computing%3C%5C%2Fi%3E%2C%20edited%20by%20Olga%20Goriunova%2C%20157%26%23x2013%3B73.%20Bloomsbury.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fopenresearch.lsbu.ac.uk%5C%2Fitem%5C%2F88xx7%27%3Ehttps%3A%5C%2F%5C%2Fopenresearch.lsbu.ac.uk%5C%2Fitem%5C%2F88xx7%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DGLYUADU2%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Not%20Just%20For%20Fun%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geoff%22%2C%22lastName%22%3A%22Cox%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Olga%22%2C%22lastName%22%3A%22Goriunova%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22bookTitle%22%3A%22Fun%20and%20Software%3A%20Exploring%20Pleasure%2C%20Paradox%20and%20Pain%20in%20Computing%22%2C%22date%22%3A%222014%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fopenresearch.lsbu.ac.uk%5C%2Fitem%5C%2F88xx7%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A32%3A17Z%22%7D%7D%2C%7B%22key%22%3A%22IH8SEE24%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222014%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20Julian%20Rohrhuber%2C%20and%20Nick%20Collins.%202014.%20%26%23x201C%3BSpecial%20Issue%20on%20Live%20Coding%3A%20Editor%26%23x2019%3Bs%20Notes.%26%23x201D%3B%20%3Ci%3EComputer%20Music%20Journal%3C%5C%2Fi%3E%2038%20%281%29.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Special%20issue%20on%20Live%20Coding%3A%20Editor%27s%20notes%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Julian%22%2C%22lastName%22%3A%22Rohrhuber%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Nick%22%2C%22lastName%22%3A%22Collins%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222014%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222019-05-13T06%3A44%3A45Z%22%7D%7D%2C%7B%22key%22%3A%22KZVPH8Z6%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Sicchio%22%2C%22parsedDate%22%3A%222014%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Kate%20Sicchio.%202014.%20%26%23x201C%3BSound%20Choreography%20%26lt%3B%26gt%3B%20Body%20Code.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%202nd%20Conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20and%20X%20%28XCoAx%29%3C%5C%2Fi%3E%2C%20355%26%23x2013%3B62.%20%3Ca%20href%3D%27http%3A%5C%2F%5C%2F2014.xcoax.org%5C%2Fpdf%5C%2Fxcoax2014-McLean.pdf%27%3Ehttp%3A%5C%2F%5C%2F2014.xcoax.org%5C%2Fpdf%5C%2Fxcoax2014-McLean.pdf%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DPK5KL8SF%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Sound%20Choreography%20%3C%3E%20Body%20Code%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Kate%22%2C%22lastName%22%3A%22Sicchio%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222014%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%202nd%20conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20and%20X%20%28xCoAx%29%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2F2014.xcoax.org%5C%2Fpdf%5C%2Fxcoax2014-McLean.pdf%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A36%3A28Z%22%7D%7D%2C%7B%22key%22%3A%229QKXGW5N%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222013%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202013.%20%26%23x201C%3BThe%20Textural%20X.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20First%20Conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20and%20X%20%28XCoAx%29%3C%5C%2Fi%3E%2C%2081%26%23x2013%3B88.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7895677%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7895677%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DZRPDEMIY%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22The%20Textural%20X%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222013%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20first%20conference%20on%20Computation%2C%20Communication%2C%20Aesthetics%20and%20X%20%28xCoAx%29%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.7895677%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22PPJX8UIT%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A42%3A29Z%22%7D%7D%2C%7B%22key%22%3A%22ZA2PZKEM%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222013%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20EunJoo%20Shin%2C%20and%20Kia%20Ng.%202013.%20%26%23x201C%3BThe%20Paralinguistic%20Microphone.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%2013th%20Conference%20on%20New%20Interfaces%20for%20Musical%20Expression%3C%5C%2Fi%3E%2C%20381%26%23x2013%3B84.%20Seoul.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.1178608%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.1178608%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DG7YN9MC6%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22The%20Paralinguistic%20Microphone%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22EunJoo%22%2C%22lastName%22%3A%22Shin%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Kia%22%2C%22lastName%22%3A%22Ng%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222013%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%2013th%20Conference%20on%20New%20Interfaces%20for%20Musical%20Expression%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.1178608%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F1178608%5C%2F%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A40%3A44Z%22%7D%7D%2C%7B%22key%22%3A%227VPDK2U3%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Wiggins%22%2C%22parsedDate%22%3A%222012%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Geraint%20Wiggins.%202012.%20%26%23x201C%3BComputer%20Programming%20in%20the%20Creative%20Arts.%26%23x201D%3B%20In%20%3Ci%3EComputers%20and%20Creativity%3C%5C%2Fi%3E%2C%20edited%20by%20Jon%20McCormack%20and%20Mark%20d%26%23x2019%3BInverno%2C%20235%26%23x2013%3B52.%20Springer.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Flink.springer.com%5C%2Fchapter%5C%2F10.1007%5C%2F978-3-642-31727-9_9%27%3Ehttps%3A%5C%2F%5C%2Flink.springer.com%5C%2Fchapter%5C%2F10.1007%5C%2F978-3-642-31727-9_9%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DGQ6IUJ9B%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Computer%20Programming%20in%20the%20Creative%20Arts%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%22%2C%22lastName%22%3A%22Wiggins%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Jon%22%2C%22lastName%22%3A%22McCormack%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Mark%22%2C%22lastName%22%3A%22d%27Inverno%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22bookTitle%22%3A%22Computers%20and%20Creativity%22%2C%22date%22%3A%222012%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22978-3-642-31726-2%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Flink.springer.com%5C%2Fchapter%5C%2F10.1007%5C%2F978-3-642-31727-9_9%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A01%3A01Z%22%7D%7D%2C%7B%22key%22%3A%22QNDX9T5W%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Reeve%22%2C%22parsedDate%22%3A%222012%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Hester%20Reeve.%202012.%20%26%23x201C%3BLive%20Notation%3A%20Acoustic%20Resonance%3F%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20International%20Computer%20Music%20Conference%3C%5C%2Fi%3E%2C%2070%26%23x2013%3B75.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fquod.lib.umich.edu%5C%2Fcgi%5C%2Fp%5C%2Fpod%5C%2Fdod-idx%5C%2Flive-notation-acoustic-resonance.pdf%3Fc%3Dicmc%3Bidno%3Dbbp2372.2012.012%3Bformat%3Dpdf%27%3Ehttps%3A%5C%2F%5C%2Fquod.lib.umich.edu%5C%2Fcgi%5C%2Fp%5C%2Fpod%5C%2Fdod-idx%5C%2Flive-notation-acoustic-resonance.pdf%3Fc%3Dicmc%3Bidno%3Dbbp2372.2012.012%3Bformat%3Dpdf%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DH6A36WMV%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Live%20Notation%3A%20Acoustic%20Resonance%3F%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Hester%22%2C%22lastName%22%3A%22Reeve%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222012%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20International%20Computer%20Music%20Conference%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fquod.lib.umich.edu%5C%2Fcgi%5C%2Fp%5C%2Fpod%5C%2Fdod-idx%5C%2Flive-notation-acoustic-resonance.pdf%3Fc%3Dicmc%3Bidno%3Dbbp2372.2012.012%3Bformat%3Dpdf%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A22%3A10Z%22%7D%7D%2C%7B%22key%22%3A%22KF5RR24P%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Cox%20and%20McLean%22%2C%22parsedDate%22%3A%222012%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ECox%2C%20Geoff%2C%20and%20Alex%20McLean.%202012.%20%3Ci%3ESpeaking%20Code%3A%20Coding%20as%20Aesthetic%20and%20Political%20Expression%3C%5C%2Fi%3E.%20Software%20Studies.%20MIT%20Press.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Speaking%20Code%3A%20Coding%20as%20Aesthetic%20and%20Political%20Expression%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geoff%22%2C%22lastName%22%3A%22Cox%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222012%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22978-0-262-01836-4%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A37%3A17Z%22%7D%7D%2C%7B%22key%22%3A%22GQS4X96P%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222011-11%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202011.%20%26%23x201C%3BArtist-Programmers%20and%20Programming%20Languages%20for%20the%20Arts.%26%23x201D%3B%20PhD%20Thesis%2C%20Department%20of%20Computing%2C%20Goldsmiths%2C%20University%20of%20London.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fresearch.gold.ac.uk%5C%2Fid%5C%2Feprint%5C%2F6611%5C%2F%27%3Ehttps%3A%5C%2F%5C%2Fresearch.gold.ac.uk%5C%2Fid%5C%2Feprint%5C%2F6611%5C%2F%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DID5BW5L6%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22thesis%22%2C%22title%22%3A%22Artist-Programmers%20and%20Programming%20Languages%20for%20the%20Arts%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22thesisType%22%3A%22PhD%20Thesis%22%2C%22university%22%3A%22Department%20of%20Computing%2C%20Goldsmiths%2C%20University%20of%20London%22%2C%22date%22%3A%22November%202011%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fresearch.gold.ac.uk%5C%2Fid%5C%2Feprint%5C%2F6611%5C%2F%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T08%3A58%3A27Z%22%7D%7D%2C%7B%22key%22%3A%22S48ITGQG%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Wiggins%22%2C%22parsedDate%22%3A%222011%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Geraint%20Wiggins.%202011.%20%26%23x201C%3BTexture%3A%20Visual%20Notation%20for%20the%20Live%20Coding%20of%20Pattern.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%20International%20Computer%20Music%20Conference%202011%3C%5C%2Fi%3E%2C%20612%26%23x2013%3B28.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7895587%27%3Ehttps%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7895587%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3D2PBIR497%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Texture%3A%20Visual%20Notation%20for%20the%20Live%20Coding%20of%20Pattern%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%22%2C%22lastName%22%3A%22Wiggins%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222011%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%20International%20Computer%20Music%20Conference%202011%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7895587%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A38%3A58Z%22%7D%7D%2C%7B%22key%22%3A%22R7B6WQHC%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Forth%20et%20al.%22%2C%22parsedDate%22%3A%222010-11%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EForth%2C%20Jamie%2C%20Geraint%20A.%20Wiggins%2C%20and%20Alex%20McLean.%202010.%20%26%23x201C%3BUnifying%20Conceptual%20Spaces%3A%20Concept%20Formation%20in%20Musical%20Creative%20Systems.%26%23x201D%3B%20%3Ci%3EMinds%20and%20Machines%3C%5C%2Fi%3E%2020%20%284%29%3A%20503%26%23x2013%3B32.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1007%5C%2Fs11023-010-9207-x%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1007%5C%2Fs11023-010-9207-x%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DT4JSLVK6%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Unifying%20Conceptual%20Spaces%3A%20Concept%20Formation%20in%20Musical%20Creative%20Systems%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jamie%22%2C%22lastName%22%3A%22Forth%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%20A.%22%2C%22lastName%22%3A%22Wiggins%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22We%20examine%20G%5Cu00e4rdenfors%27%20theory%20of%20conceptual%20spaces%2C%20a%20geometrical%20form%20of%20knowledge%20representation%20%28Conceptual%20spaces%3A%20The%20geometry%20of%20thought%2C%20MIT%20Press%2C%20Cambridge%2C%202000%20%29%2C%20in%20the%20context%20of%20the%20general%20Creative%20Systems%20Framework%20introduced%20by%20Wiggins%20%28J%20Knowl%20Based%20Syst%2019%287%29%3A449%5Cu2013458%2C%202006a%20%3B%20New%20Generation%20Comput%2024%283%29%3A209%5Cu2013222%2C%202006%20b%20%29.%20G%5Cu00e4rdenfors%27%20theory%20offers%20a%20way%20of%20bridging%20the%20traditional%20divide%20between%20symbolic%20and%20sub-symbolic%20representations%2C%20as%20well%20as%20the%20gap%20between%20representational%20formalism%20and%20meaning%20as%20perceived%20by%20human%20minds.%20We%20discuss%20how%20both%20these%20qualities%20may%20be%20advantageous%20from%20the%20point%20of%20view%20of%20artificial%20creative%20systems.%20We%20take%20music%20as%20our%20example%20domain%2C%20and%20discuss%20how%20a%20range%20of%20musical%20qualities%20may%20be%20instantiated%20as%20conceptual%20spaces%2C%20and%20present%20a%20detailed%20conceptual%20space%20formalisation%20of%20musical%20metre.%22%2C%22date%22%3A%22November%202010%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1007%5C%2Fs11023-010-9207-x%22%2C%22ISSN%22%3A%220924-6495%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fdx.doi.org%5C%2F10.1007%5C%2Fs11023-010-9207-x%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222019-05-13T06%3A45%3A39Z%22%7D%7D%2C%7B%22key%22%3A%22C5D3HCME%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Wiggins%22%2C%22parsedDate%22%3A%222010%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Geraint%20Wiggins.%202010.%20%26%23x201C%3BBricolage%20Programming%20in%20the%20Creative%20Arts.%26%23x201D%3B%20In%20%3Ci%3E22nd%20Psychology%20of%20Programming%20Interest%20Group%202010%3C%5C%2Fi%3E.%20Madrid.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7231929%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7231929%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DV3XDCL2E%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Bricolage%20Programming%20in%20the%20Creative%20Arts%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%22%2C%22lastName%22%3A%22Wiggins%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222010%22%2C%22proceedingsTitle%22%3A%2222nd%20Psychology%20of%20Programming%20Interest%20Group%202010%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.7231929%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T08%3A59%3A14Z%22%7D%7D%2C%7B%22key%22%3A%22Q73ZNX7E%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Wiggins%22%2C%22parsedDate%22%3A%222010%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Geraint%20Wiggins.%202010.%20%26%23x201C%3BLive%20Coding%20Towards%20Computational%20Creativity.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%201st%20International%20Conference%20on%20Computational%20Creativity%202010%3C%5C%2Fi%3E%2C%20175%26%23x2013%3B79.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fcomputationalcreativity.net%5C%2Ficcc2010%5C%2Fpapers%5C%2Fmclean-wiggins.pdf%27%3Ehttps%3A%5C%2F%5C%2Fcomputationalcreativity.net%5C%2Ficcc2010%5C%2Fpapers%5C%2Fmclean-wiggins.pdf%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DHP3BM2SV%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Live%20Coding%20Towards%20Computational%20Creativity%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%22%2C%22lastName%22%3A%22Wiggins%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222010%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%201st%20International%20Conference%20on%20Computational%20Creativity%202010%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fcomputationalcreativity.net%5C%2Ficcc2010%5C%2Fpapers%5C%2Fmclean-wiggins.pdf%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A21%3A22Z%22%7D%7D%2C%7B%22key%22%3A%22UVNX6RFZ%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Wiggins%22%2C%22parsedDate%22%3A%222010%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Geraint%20Wiggins.%202010.%20%26%23x201C%3BTidal%20-%20Pattern%20Language%20for%20the%20Live%20Coding%20of%20Music.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%207th%20Sound%20and%20Music%20Computing%20Conference%202010%3C%5C%2Fi%3E%2C%20331%26%23x2013%3B34.%20Barcelona.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.849841%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.849841%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DZGT54TWN%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Tidal%20-%20Pattern%20Language%20for%20the%20Live%20Coding%20of%20Music%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%22%2C%22lastName%22%3A%22Wiggins%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222010%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%207th%20Sound%20and%20Music%20Computing%20conference%202010%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.849841%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A44%3A15Z%22%7D%7D%2C%7B%22key%22%3A%22KZGK5SFM%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222010%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20Dave%20Griffiths%2C%20Nick%20Collins%2C%20and%20Geraint%20Wiggins.%202010.%20%26%23x201C%3BVisualisation%20of%20Live%20Code.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20Electronic%20Visualisation%20and%20the%20Arts%20London%202010%3C%5C%2Fi%3E%2C%2026%26%23x2013%3B30.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwriting%5C%2Fvisualisation-of-live-code.pdf%27%3Ehttps%3A%5C%2F%5C%2Fslab.org%5C%2Fwriting%5C%2Fvisualisation-of-live-code.pdf%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DMXQMQ9QF%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Visualisation%20of%20Live%20Code%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Dave%22%2C%22lastName%22%3A%22Griffiths%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Nick%22%2C%22lastName%22%3A%22Collins%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%22%2C%22lastName%22%3A%22Wiggins%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222010%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20Electronic%20Visualisation%20and%20the%20Arts%20London%202010%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fslab.org%5C%2Fwriting%5C%2Fvisualisation-of-live-code.pdf%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A44%3A59Z%22%7D%7D%2C%7B%22key%22%3A%225NQR2BW4%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Wiggins%22%2C%22parsedDate%22%3A%222009%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Geraint%20Wiggins.%202009.%20%26%23x201C%3BWords%2C%20Movement%20and%20Timbre.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20New%20Interfaces%20for%20Musical%20Expression%202009%3C%5C%2Fi%3E%2C%20276%26%23x2013%3B79.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fwww.researchgate.net%5C%2Fpublication%5C%2F228372795_Words_movement_and_timbre%27%3Ehttps%3A%5C%2F%5C%2Fwww.researchgate.net%5C%2Fpublication%5C%2F228372795_Words_movement_and_timbre%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DFE3FUPFW%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Words%2C%20Movement%20and%20Timbre.%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%22%2C%22lastName%22%3A%22Wiggins%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222009%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20New%20Interfaces%20for%20Musical%20Expression%202009%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.researchgate.net%5C%2Fpublication%5C%2F228372795_Words_movement_and_timbre%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A46%3A07Z%22%7D%7D%2C%7B%22key%22%3A%224RT8JCAW%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222008-08%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202008.%20%26%23x201C%3BLive%20Coding%20for%20Free.%26%23x201D%3B%20In%20%3Ci%3EFLOSS%2BArt%3C%5C%2Fi%3E%2C%20edited%20by%20Aymeric%20Mansoux%20and%20Marloes%20de%20Valk.%20Mute%20Publishing%20Ltd.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7940366%27%3Ehttps%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7940366%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DJRAKRJ5D%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Live%20coding%20for%20free%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Aymeric%22%2C%22lastName%22%3A%22Mansoux%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Marloes%22%2C%22lastName%22%3A%22de%20Valk%22%7D%5D%2C%22abstractNote%22%3A%22FLOSS%2BArt%20critically%20reflects%20on%20the%20growing%20relationship%20between%20FreeSoftware%20ideology%2C%20open%20content%20and%20digital%20art.%20It%20provides%20a%20view%20onto%20thesocial%2C%20political%20and%20economic%20myths%20and%20realities%20linked%20to%20this%20phenomenon.Topics%20include%3A%20digital%20art%20licensing%2C%20copying%20and%20distributing%20under%20opencontent%20models%2C%20the%20influence%20of%20FLOSS%20on%20digital%20art%20practices%2C%20the%20use%20offree%20software%20to%20produce%20art%20and%20the%20art%20of%20producing%20free%20software%2C%20FLOSS%20asan%20embedded%20political%20message%20in%20digital%20art%2C%20paradoxes%20and%20limitations%20ofopen%20licenses%20for%20digital%20art%2C%20FLOSS%20as%20a%20way%20to%20quote%20and%20embed%20otherartworks%20in%20the%20making%20of%20new%20works%2C%20definitions%20and%20manifestos%20for%20a%20freesoftware%20art...%20With%20contributions%20from%3A%20Fabianne%20Balvedi%2C%20Florian%20Cramer%2CSher%20Doruff%2C%20Nancy%20Mauro%20Flude%2C%20Olga%20Goriunova%2C%20Dave%20Griffiths%2C%20Ross%20Harley%2CMartin%20Howse%2C%20Shahee%20Ilyas%2C%20Ricardo%20Lafuente%2C%20Ivan%20Monroy%20Lopez%2C%20ThorMagnusson%2C%20Alex%20McLean%2C%20Rob%20Myers%2C%20Alejandra%20Maria%20Perez%20Nu%5Cu00f1ez%2C%20EleonoraOreggia%2C%20oRx-qX%2C%20Julien%20Ottavi%2C%20Michael%20van%20Schaik%2C%20Femke%20Snelting%2C%20PedroSoler%2C%20Hans%20Christoph%20Steiner%2C%20Prodromos%20Tsiavos%2C%20Simon%20Yuill.%20Compiled%20andedited%20by%20Aymeric%20Mansoux%20and%20Marloes%20de%20Valk.%22%2C%22bookTitle%22%3A%22FLOSS%2BArt%22%2C%22date%22%3A%22August%202008%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%221-906496-18-8%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7940366%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A19%3A42Z%22%7D%7D%2C%7B%22key%22%3A%22NE4H9UTD%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Forth%20et%20al.%22%2C%22parsedDate%22%3A%222008%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EForth%2C%20Jamie%2C%20Alex%20McLean%2C%20and%20Geraint%20Wiggins.%202008.%20%26%23x201C%3BMusical%20Creativity%20on%20the%20Conceptual%20Level.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20International%20Joint%20Workshop%20on%20Computational%20Creativity%202008%3C%5C%2Fi%3E%2C%2021%26%23x2013%3B30.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7152007%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7152007%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DBYXFRDLV%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Musical%20Creativity%20on%20the%20Conceptual%20Level%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jamie%22%2C%22lastName%22%3A%22Forth%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%22%2C%22lastName%22%3A%22Wiggins%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222008%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20International%20Joint%20Workshop%20on%20Computational%20Creativity%202008%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.7152007%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A30%3A58Z%22%7D%7D%2C%7B%22key%22%3A%22I8EUJ969%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20and%20Wiggins%22%2C%22parsedDate%22%3A%222008%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20and%20Geraint%20Wiggins.%202008.%20%26%23x201C%3BVocable%20Synthesis.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20International%20Computer%20Music%20Conference%202008%3C%5C%2Fi%3E.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fquod.lib.umich.edu%5C%2Fcgi%5C%2Fp%5C%2Fpod%5C%2Fdod-idx%5C%2Fvocable-synthesis.pdf%3Fc%3Dicmc%3Bidno%3Dbbp2372.2008.084%3Bformat%3Dpdf%27%3Ehttps%3A%5C%2F%5C%2Fquod.lib.umich.edu%5C%2Fcgi%5C%2Fp%5C%2Fpod%5C%2Fdod-idx%5C%2Fvocable-synthesis.pdf%3Fc%3Dicmc%3Bidno%3Dbbp2372.2008.084%3Bformat%3Dpdf%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DQICVE7MM%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Vocable%20Synthesis%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%22%2C%22lastName%22%3A%22Wiggins%22%7D%5D%2C%22abstractNote%22%3A%22In%20many%20cultures%20musicians%20describe%20the%20sounds%20made%20by%20their%20instruments%20by%20speaking%2C%20singing%20or%20transcribing%20them%20as%20words.%20This%20paper%20proposes%20applying%20this%20approach%20to%20synthesised%20sounds%2C%20where%20these%20vocable%20words%20control%20physical%20modelling%20synthesis%20systems.%20We%20aim%20to%20produce%20instruments%20played%20by%20typing%20words%2C%20allowing%20a%20rich%20range%20of%20musical%20expression.%20A%20working%20prototype%20of%20a%20system%20for%20music%20improvisation%20is%20presented%2C%20and%20future%20work%20and%20applications%20are%20considered.%22%2C%22date%22%3A%222008%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20International%20Computer%20Music%20Conference%202008%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fquod.lib.umich.edu%5C%2Fcgi%5C%2Fp%5C%2Fpod%5C%2Fdod-idx%5C%2Fvocable-synthesis.pdf%3Fc%3Dicmc%3Bidno%3Dbbp2372.2008.084%3Bformat%3Dpdf%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A45%3A44Z%22%7D%7D%2C%7B%22key%22%3A%22MJPBBNUE%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222007%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202007.%20%26%23x201C%3BImprovising%20with%20Synthesised%20Vocables%2C%20with%20Analysis%20Towards%20Computational%20Creativity.%26%23x201D%3B%20Goldsmiths%20College%2C%20University%20of%20London.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DAY5MQWXG%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22thesis%22%2C%22title%22%3A%22Improvising%20with%20Synthesised%20Vocables%2C%20with%20Analysis%20Towards%20Computational%20Creativity%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22In%20the%20context%20of%20the%20live%20coding%20of%20music%20and%20computational%20creativity%2C%20literature%20examining%20perceptual%20relationships%20between%20text%2C%20speech%20and%20instrumental%20sounds%20are%20surveyed%2C%20including%20the%20use%20of%20vocable%20words%20in%20music.%20A%20system%20for%20improvising%20polymetric%20rhythms%20with%20vocable%20words%20is%20introduced%2C%20together%20with%20a%20working%20prototype%20for%20producing%20rhythmic%20continuations%20within%20the%20system.%20This%20is%20shown%20to%20be%20a%20promising%20direction%20for%20both%20text%20based%20music%20improvisation%20and%20research%20into%20creative%20agents.%22%2C%22thesisType%22%3A%22%22%2C%22university%22%3A%22Goldsmiths%20College%2C%20University%20of%20London%22%2C%22date%22%3A%222007%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222017-02-27T11%3A36%3A08Z%22%7D%7D%2C%7B%22key%22%3A%22W77UA4QP%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%20et%20al.%22%2C%22parsedDate%22%3A%222007%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex%2C%20Frederic%20F.%20Leymarie%2C%20and%20Geraint%20Wiggins.%202007.%20%26%23x201C%3BApollonius%20Diagrams%20and%20the%20Representation%20of%20Sounds%20and%20Music.%26%23x201D%3B%20In%20%3Ci%3EProceedings%20of%20the%204th%20International%20Symposium%20on%20Voronoi%20Diagrams%20in%20Science%20and%20Engineering%3C%5C%2Fi%3E%2C%20276%26%23x2013%3B81.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7140761%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.7140761%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DNIY6WF3U%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Apollonius%20diagrams%20and%20the%20Representation%20of%20Sounds%20and%20Music%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Frederic%20F.%22%2C%22lastName%22%3A%22Leymarie%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geraint%22%2C%22lastName%22%3A%22Wiggins%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222007%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%204th%20International%20Symposium%20on%20Voronoi%20Diagrams%20in%20Science%20and%20Engineering%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.7140761%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T08%3A57%3A23Z%22%7D%7D%2C%7B%22key%22%3A%228C3K3LV2%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222004-08-08%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202004.%20%26%23x201C%3BHacking%20Perl%20in%20Nightclubs.%26%23x201D%3B%20%3Ci%3EPerl.Com%3C%5C%2Fi%3E%2C%20August%208%2C%202004.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fperl.com%5C%2Fpub%5C%2F2004%5C%2F08%5C%2F31%5C%2Flivecode.html%5C%2F%27%3Ehttps%3A%5C%2F%5C%2Fperl.com%5C%2Fpub%5C%2F2004%5C%2F08%5C%2F31%5C%2Flivecode.html%5C%2F%3C%5C%2Fa%3E.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22magazineArticle%22%2C%22title%22%3A%22Hacking%20Perl%20in%20Nightclubs%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22I%27ve%20found%20the%20experiences%20of%20dancing%20and%20programming%20to%20have%20a%20great%20deal%20in%20common.%20With%20both%20I%20am%20immersed%20in%20an%20abstract%20world%20of%20animated%20structures%2C%20building%20up%20and%20breaking%20down%20many%20times%20before%20finally%20reaching%20a%20conclusion....%22%2C%22date%22%3A%222004-08-08T08%3A08%3A08Z%22%2C%22language%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fperl.com%5C%2Fpub%5C%2F2004%5C%2F08%5C%2F31%5C%2Flivecode.html%5C%2F%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T20%3A07%3A19Z%22%7D%7D%2C%7B%22key%22%3A%225WZZNI75%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Cox%20et%20al.%22%2C%22parsedDate%22%3A%222004%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ECox%2C%20Geoff%2C%20Alex%20McLean%2C%20and%20Adrian%20Ward.%202004.%20%26%23x201C%3BCoding%20Praxis%3A%20Reconsidering%20the%20Aesthetics%20of%20Code.%26%23x201D%3B%20In%20%3Ci%3ERead_me%20Software%20Art%20and%20Cultures%3C%5C%2Fi%3E%2C%20edited%20by%20Olga%20Goriunova%20and%20Alexei%20Shulgin%2C%20161%26%23x2013%3B74.%20Aarhus%20University%20Press.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7137355%27%3Ehttps%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7137355%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DSN5N2V45%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Coding%20praxis%3A%20Reconsidering%20the%20aesthetics%20of%20code%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geoff%22%2C%22lastName%22%3A%22Cox%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Adrian%22%2C%22lastName%22%3A%22Ward%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Olga%22%2C%22lastName%22%3A%22Goriunova%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Alexei%22%2C%22lastName%22%3A%22Shulgin%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22bookTitle%22%3A%22read_me%20Software%20Art%20and%20Cultures%22%2C%22date%22%3A%222004%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7137355%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A00%3A08Z%22%7D%7D%2C%7B%22key%22%3A%225H93KR3E%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Ward%20et%20al.%22%2C%22parsedDate%22%3A%222004%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EWard%2C%20Adrian%2C%20Julian%20Rohrhuber%2C%20Fredrik%20Olofsson%2C%20Alex%20McLean%2C%20Dave%20Griffiths%2C%20Nick%20Collins%2C%20and%20Amy%20Alexander.%202004.%20%26%23x201C%3BLive%20Algorithm%20Programming%20and%20a%20Temporary%20Organisation%20for%20Its%20Promotion.%26%23x201D%3B%20In%20%3Ci%3ERead_me%20%26%23x2014%3B%20Software%20Art%20and%20Cultures%3C%5C%2Fi%3E%2C%20edited%20by%20Olga%20Goriunova%20and%20Alexei%20Shulgin.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7139247%27%3Ehttps%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7139247%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DGQWB4LCT%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Live%20Algorithm%20Programming%20and%20a%20Temporary%20Organisation%20for%20its%20Promotion%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Adrian%22%2C%22lastName%22%3A%22Ward%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Julian%22%2C%22lastName%22%3A%22Rohrhuber%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Fredrik%22%2C%22lastName%22%3A%22Olofsson%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Dave%22%2C%22lastName%22%3A%22Griffiths%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Nick%22%2C%22lastName%22%3A%22Collins%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Amy%22%2C%22lastName%22%3A%22Alexander%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Olga%22%2C%22lastName%22%3A%22Goriunova%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Alexei%22%2C%22lastName%22%3A%22Shulgin%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222004%22%2C%22proceedingsTitle%22%3A%22read_me%20%5Cu2014%20Software%20Art%20and%20Cultures%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7139247%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A07%3A41Z%22%7D%7D%2C%7B%22key%22%3A%22RHA6GHH6%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Collins%20et%20al.%22%2C%22parsedDate%22%3A%222003%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ECollins%2C%20Nick%2C%20Alex%20McLean%2C%20Julian%20Rohrhuber%2C%20and%20Adrian%20Ward.%202003.%20%26%23x201C%3BLive%20Coding%20in%20Laptop%20Performance.%26%23x201D%3B%20%3Ci%3EOrganised%20Sound%3C%5C%2Fi%3E%208%20%2803%29%3A%20321%26%23x2013%3B30.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1017%5C%2Fs135577180300030x%27%3Ehttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1017%5C%2Fs135577180300030x%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DE24IWSP9%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Live%20coding%20in%20laptop%20performance%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Nick%22%2C%22lastName%22%3A%22Collins%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Julian%22%2C%22lastName%22%3A%22Rohrhuber%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Adrian%22%2C%22lastName%22%3A%22Ward%22%7D%5D%2C%22abstractNote%22%3A%22Seeking%20new%20forms%20of%20expression%20in%20computer%20music%2C%20a%20small%20number%20of%20laptop%20composers%20are%20braving%20the%20challenges%20of%20coding%20music%20on%20the%20fly.%20Not%20content%20to%20submit%20meekly%20to%20the%20rigid%20interfaces%20of%20performance%20software%20like%20Ableton%20Live%20or%20Reason%2C%20they%20work%20with%20programming%20languages%2C%20building%20their%20own%20custom%20software%2C%20tweaking%20or%20writing%20the%20programs%20themselves%20as%20they%20perform.%20Often%20this%20activity%20takes%20place%20within%20some%20established%20language%20for%20computer%20music%20like%20SuperCollider%2C%20but%20there%20is%20no%20reason%20to%20stop%20errant%20minds%20pursuing%20their%20innovations%20in%20general%20scripting%20languages%20like%20Perl.%20This%20paper%20presents%20an%20introduction%20to%20the%20field%20of%20live%20coding%2C%20of%20real-time%20scripting%20during%20laptop%20music%20performance%2C%20and%20the%20improvisatory%20power%20and%20risks%20involved.%20We%20look%20at%20two%20test%20cases%2C%20the%20command-line%20music%20of%20slub%20utilising%2C%20amongst%20a%20grab-bag%20of%20technologies%2C%20Perl%20and%20REALbasic%2C%20and%20Julian%20Rohrhuber%27s%20Just%20In%20Time%20library%20for%20SuperCollider.%20We%20try%20to%20give%20a%20flavour%20of%20an%20exciting%20but%20hazardous%20world%20at%20the%20forefront%20of%20live%20laptop%20performance.%22%2C%22date%22%3A%222003%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1017%5C%2Fs135577180300030x%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.researchgate.net%5C%2Fpublication%5C%2F228811209_Live_coding_in_laptop_performance%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A59%3A54Z%22%7D%7D%2C%7B%22key%22%3A%22LZTWVA36%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22McLean%22%2C%22parsedDate%22%3A%222001%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EMcLean%2C%20Alex.%202001.%20%3Ci%3Eforkbomb.pl%3C%5C%2Fi%3E.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fzkm.de%5C%2Fen%5C%2Fforkbombpl%27%3Ehttps%3A%5C%2F%5C%2Fzkm.de%5C%2Fen%5C%2Fforkbombpl%3C%5C%2Fa%3E.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22artwork%22%2C%22title%22%3A%22forkbomb.pl%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22artist%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%5D%2C%22abstractNote%22%3A%22%5Cu00bbforkbomb.pl%5Cu00ab%20is%20a%20piece%20of%20code%20alongside%20a%20series%20of%20outputs%20on%20paper.%20A%20forkbomb%20is%20a%20computer%20process%20that%20follows%20a%20simple%20procedure%2C%20initiating%20further%20procedures%20in%20sequence%20and%20simultaneously%20until%20the%20computer%20system%20is%20overwhelmed%20and%20crashes.%20Forkbombs%20are%20well%20known%20among%20programmers%2C%20who%20sometimes%20create%20them%20by%20accident.%20Equally%2C%20writing%20an%20elegant%20and%20efficient%20forkbomb%20code%20is%20a%20respected%20art.%20Although%20it%20is%20a%20short%2C%20ten-line%20Perl%20script%20code%2C%20Alex%20McLean%5Cu2019s%20code%20%28shown%29%20creates%20an%20unusually%20complex%20forkbomb.%20When%20executed%20it%20gradually%20overloads%20and%20disables%20the%20computer%20system%2C%20printing%20out%20a%20series%20of%200s%20and%201s%20that%2C%20through%20pattern%2C%20visualize%20the%20state%20of%20the%20system%20during%20its%20descent%20into%20disorder.%20Different%20systems%20create%20different%20patterns%20when%20under%20strain.%22%2C%22artworkMedium%22%3A%22%22%2C%22artworkSize%22%3A%22%22%2C%22date%22%3A%222001%22%2C%22language%22%3A%22Perl%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzkm.de%5C%2Fen%5C%2Fforkbombpl%22%2C%22collections%22%3A%5B%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-18T17%3A37%3A23Z%22%7D%7D%2C%7B%22key%22%3A%22SF55XZ66%22%2C%22library%22%3A%7B%22id%22%3A410483%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Cox%20et%20al.%22%2C%22parsedDate%22%3A%222000%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3ECox%2C%20Geoff%2C%20Alex%20McLean%2C%20and%20Adrian%20Ward.%202000.%20%26%23x201C%3BThe%20Aesthetics%20of%20Generative%20Code.%26%23x201D%3B%20In%20%3Ci%3EInternational%20Conference%20on%20Generative%20Art%3C%5C%2Fi%3E.%20%3Ca%20href%3D%27https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7135380%27%3Ehttps%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7135380%3C%5C%2Fa%3E.%20%3Ca%20title%3D%27Download%27%20class%3D%27zp-DownloadURL%27%20href%3D%27https%3A%5C%2F%5C%2Fslab.org%5C%2Fwp-content%5C%2Fplugins%5C%2Fzotpress%5C%2Flib%5C%2Frequest%5C%2Frequest.dl.php%3Fapi_user_id%3D410483%26amp%3Bdlkey%3DT3NDEI7K%26amp%3Bcontent_type%3Dapplication%5C%2Fpdf%27%3EDownload%3C%5C%2Fa%3E%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22The%20Aesthetics%20of%20Generative%20Code%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Geoff%22%2C%22lastName%22%3A%22Cox%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alex%22%2C%22lastName%22%3A%22McLean%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Adrian%22%2C%22lastName%22%3A%22Ward%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222000%22%2C%22proceedingsTitle%22%3A%22International%20Conference%20on%20Generative%20Art%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F7135380%22%2C%22collections%22%3A%5B%22ZCZZNZ3C%22%2C%22V278HAVV%22%2C%22C2MFV9LL%22%5D%2C%22dateModified%22%3A%222023-05-16T09%3A39%3A30Z%22%7D%7D%5D%7D
McLean, Alex, and Kate Sicchio. 2023. “Preprint: Live Notation for Patterns of Movement.” TDR Journal, June. https://doi.org/10.5281/zenodo.8078999. Download
Griffiths, Dave, Elizabeth Wilson, Iván Paz, Alex McLean, Joana Chicau, Flor de Fuego, Timo Hoogland, Eloi Isern, Michael-Jon Mizra, and Robert Pibernat. 2023. “Patterns in Deep Time.” In Proceedings of the 11th Conference on Computation, Communication, Aesthetics & X (XCoAx). Wiemar, Germany. https://doi.org/10.34626/xcoax.2023.11th.277. Download
McLean, Alex, Julian Rohrhuber, and Renate Weiser. 2023. “The Meaning of Live: From Art Without Audience to Programs Without Users.” In . Utrecht, Netherlands. https://doi.org/10.5281/zenodo.7843567. Download
Wilson, Elizabeth, Deva Schubert, Mika Satomi, Alex McLean, and Juan Felipe Amaya Gozalez. 2023. “MosAIck: Staging Contemporary AI Performance - Connecting Live Coding, E-Textiles and Movement.” In Proceedings of the 7th International Conference on Live Coding (ICLC2023). Utrecht, Netherlands. https://doi.org/10.5281/zenodo.7843540. Download
Roos, Felix, and Alex McLean. 2023. “Strudel: Live Coding Patterns on the Web.” In Proceedings of the 7th International Conference on Live Coding. Utrecht, Netherlands. https://doi.org/10.5281/zenodo.7842142. Download
Roos, Felix, Alex McLean, Bernhard Wagner, Bradford Powell, urswilke, Ian Clester, Jack Armitage, et al. 2023. Strudel (Zuckerguss). https://doi.org/10.5281/zenodo.7763205.
McLean, Alex, David Ogborn, Lennart Melzer, Ben Gold, Martin, Julian Rohrhuber, vivid-synth, et al. 2023. TidalCycles 1.9.4 (Stitch). Zenodo. https://doi.org/10.5281/zenodo.7725484.
Blackwell, Alan, Emma Cocker, Geoff Cox, Alex McLean, and Thor Magnusson. 2022. Live Coding: A User’s Manual. MIT Press. https://doi.org/10.5281/zenodo.7383848. Download
Roos, Felix, and Alex McLean. 2022. “Strudel: Algorithmic Patterns for the Web.” In . Cannes, France. https://doi.org/10.5281/zenodo.6768844. Download
Forment, Raphaël Maurice, and Alex McLean. 2022. “How Live Is Live Coding? The Case of Tidal’s Longest Night.” In . https://doi.org/10.5281/zenodo.6797573. Download
McLean, Alex, Raphaël Forment, Sylvain Le Beux, and Damián Silvani. 2022. “TidalVortex Zero.” In . Limerick, Ireland. https://doi.org/10.5281/zenodo.6456380. Download
McLean, Alex. 2022. “TidalCycles Pattern.” In The Book of X: 10 Years of Computation, Communication, Aesthetics & X, edited by Miguel Carvalhais, Mario Verdicchio, Luísa Ribas, and André Rangel, 235–37. i2ADS/CITTAR. https://doi.org/10.24840/978-989-9049-26-0. Download
McLean, Alex. 2021. “Alternate Timelines for TidalCycles.” In Proceedings of the 6th International Conference on Live Coding. Valdivia, Chile. https://doi.org/10.5281/zenodo.5788732. Download
Wilson, Elizabeth, Shawn Lawson, Alex McLean, and Jeremy Stewart. 2021. “Autonomous Creation of Musical Pattern from Types and Models in Live Coding.” In Proceedings of the 9th Conference on Computation, Communication, Aesthetics & X. Online. https://doi.org/10.5281/zenodo.5891046. Download
Harlizius-Klück, Ellen, and Alex McLean. 2021. “PENELOPE - A Study of Weaving as Technical Mode of Existence.” In Algorithmic and Aesthetic Literacy. Emerging Transdisciplinary Explorations for the Digital Age, 59–80. Opladen: Barbara Budrich. https://doi.org/10.5281/zenodo.7628707. Download
Mclean, Alex. 2020. “Algorithmic Pattern.” In Proceedings of the International Conference on New Interfaces for Musical Expression, 265--270. Birmingham, UK. https://zenodo.org/record/4813352. Download
Fanfani, Giovanni, Dave Griffiths, Ellen Harlizius-Klück, Annapurna Mamidipudi, and Alex McLean. 2020. “(Micro-)Performing Ancient Weaving in the PENELOPE Project.” Performance Research 25 (3): 123–30. https://doi.org/10.1080/13528165.2020.1807772. Download
Harlizius-Klück, Ellen, and Alex McLean. 2020. “The PENELOPE Project: A Case Study in Computational Thinking.” In Algorithmic and Aesthetic Literacy Matter: Approaches for a Transformative Network Society. Verlag Barbara Budrich. https://zenodo.org/record/4680852. Download
McLean, Alex. 2020. “The Live Loom.” In Proceedings of the 5th International Conference on Live Coding. Limerick, Ireland: University of Limerick. https://doi.org/10.5281/zenodo.3939176. Download
Andersen, Kristina, Ron Wakkary, Laura Devendorf, and Alex McLean. 2019. “Digital Crafts-Machine-Ship: Creative Collaborations with Machines.” ACM Interactions 27 (1): 30–35. https://doi.org/10.1145/3373644. Download
McLean, Alex, and Renick Bell. 2019. “Pattern, Code and Algorithmic Drumming Circles.” In Publication Title: Proceedings of the Fourth International Conference on Live Coding. Madrid, Spain: Medialab Prado / Madrid Destino. https://doi.org/10.5281/zenodo.3946174. Download
McLean, Alex. 2019. “Algorave: Dancing to Algorithms.” In The Cambridge Companion to Music in Digital Culture, edited by Nicholas Cook, Monique M. Ingalls, and DavidEditors Trippett, 175–77. Cambridge Companions to Music. Cambridge University Press. https://doi.org/10.1017/9781316676639.016. Download
McLean, Alex, and Ellen Harlizius-Klück. 2018. “Fabricating Algorithmic Art.” In Parsing Digital, 10–21. London, UK: Austrian Cultural Forum. https://doi.org/10.5281/zenodo.2155745. Download
McLean, Alex, Ellen Harlizius-Klück, and David Griffiths. 2018. “Digital Art: A Long History.” In , 71–77. Porto, Portugal. https://doi.org/10.5281/zenodo.2556604. Download
Dean, Roger T., and Alex McLean, eds. 2018. The Oxford Handbook of Algorithmic Music. New York, NY: OUP USA.
McLean, Alex, and Roger T. Dean. 2018. “Musical Algorithms as Tools, Languages, and Partners.” The Oxford Handbook of Algorithmic Music, February. https://doi.org/10.5281/zenodo.1228952. Download
Magnusson, Thor, and Alex McLean. 2018. “Performing with Patterns of Time.” In . Oxford University Press. https://doi.org/10.5281/zenodo.1193251. Download
McLean, Alex, and Roger Dean. 2018. “Algorithmic Trajectories.” In . Oxford University Press. https://doi.org/10.5281/zenodo.1228959. Download
McLean, Alex, Giovanni Fanfani, and Ellen Harlizius-Klück. 2018. “Cyclic Patterns of Movement across Weaving, Epiplokē and Live Coding.” Dancecult: Journal of Electronic Dance Music Culture 10 (1): 5–30. https://doi.org/http://dx.doi.org/ 10.12801/1947-5403.2018.10.01.01. Download
Sicchio, Kate, and Alex McLean. 2017. “Sound Choreography <> Body Code: Software Deployment and Notational Engagement without Trace.” Contemporary Theatre Review 27 (3): 405–10. https://doi.org/10.1080/10486801.2017.1343244. Download
McLean, Alex. 2017. “Lessons from the Luddites.” Furtherfield (blog). June 2, 2017. https://www.furtherfield.org/lessons-from-the-luddites/.
McLean, Alex, Ellen Harlizius-Klück, and Janis Jefferies. 2017. “Introduction: Weaving Codes, Coding Weaves.” TEXTILE 15 (2): 118–23. https://doi.org/10.1080/14759756.2017.1298232. Download
Griffiths, David, and Alex McLean. 2017. “Textility of Code: A Catalogue of Errors.” TEXTILE 15 (2): 198–214. https://doi.org/10.1080/14759756.2017.1298308. Download
Burland, Karen, and Alex McLean. 2016. “Understanding Live Coding Events.” International Journal of Performance Arts and Digital Media 12 (2): 139–51. https://doi.org/10.1080/14794713.2016.1227596. Download
Ogborn, David, Eldad Tsabary, Ian Jarvis, Alexandra Cardenas, and Alex McLean. 2015. “Extramuros: Making Music in a Browser-Based, Language-Neutral Collaborative Live Coding Environment.” In Proceedings of the First International Conference on Live Coding, University of Leeds, ICSRiM. https://iclc.toplap.org/2015/meta/100_Extramuros_making_music_in_a_browser.pdf. Download
Padilla, Victor, Alex McLean, Alan Marsden, and Kia Ng. 2015. “Improving Optical Music Recognition by Combining Outputs from Multiple Sources.” In ISMIR, 517–23. https://eprints.lancs.ac.uk/id/eprint/84562/. Download
McLean, Alex. 2015. “Reflections on Live Coding Collaboration.” In Proceedings of 3rd Conference on Computation, Communication, Aesthetics and X (XCoAx). http://2015.xcoax.org/pdf/xcoax2015-McLean.pdf. Download
McLean, Alex, Thor Magnusson, Kia Ng, Shelly Knotts, and Joanne Armitage, eds. 2015. Proceedings of the 1st International Conference on Live Coding. Leeds, United Kingdom: ICSRiM, School of Music. http://sro.sussex.ac.uk/id/eprint/60029/1/iclc2015-proceedings.pdf. Download
Ng, Kia, Alex McLean, and Alan Marsden. 2014. “Big Data Optical Music Recognition with Multi Images and Multi Recognisers.” In Proceedings of Electronic Visualisation and the Arts. https://doi.org/10.14236/ewic/eva2014.26. Download
Ng, Kia, Joanne Armitage, and Alex McLean. 2014. “The Colour of Music: Real-Time Music Visualisation with Synaesthetic Sound-Colour Mapping.” In Proceedings of Electronic Visualisation and the Arts. https://doi.org/10.14236/ewic/eva2014.3. Download
Collins, Nick, and Alex McLean. 2014. “Algorave: Live Performance of Algorithmic Electronic Dance Music.” In Proceedings of the International Conference on New Interfaces for Musical Expression, 355–58. London, United Kingdom. https://doi.org/10.5281/zenodo.7927270. Download
Padilla, Victor, Alan Marsden, Alex McLean, and Kia Ng. 2014. “Improving OMR for Digital Music Libraries with Multiple Recognisers and Multiple Sources.” In Proceedings of the ACM/IEEE International Digital Libraries for Musicology Workshop, 1–8. ACM. https://dl.acm.org/doi/10.1145/2660168.2660175. Download
Blackwell, Alan, Alex McLean, James Noble, and Julian Rohrhuber. 2014. “Collaboration and Learning through Live Coding (Dagstuhl Seminar 13382).” Edited by Alan Blackwell, Alex McLean, James Noble, and Julian Rohrhuber. Dagstuhl Reports 3 (9): 130–68. https://doi.org/http://dx.doi.org/10.4230/DagRep.3.9.130. Download
Hession, Paul, and Alex McLean. 2014. “Extending Instruments with Live Algorithms in a Percussion / Code Duo.” In Proceedings of the 50th Anniversary Convention of the AISB: Live Algorithms. https://zenodo.org/record/7927264. Download
Parkinson, Adam, and Alex McLean. 2014. “Interfacing with the Night.” In Proceedings of the 2nd International Conference on Live Interfaces. https://research.gold.ac.uk/id/eprint/12843/. Download
McLean, Alex. 2014. “Making Programming Languages to Dance to: Live Coding with Tidal.” In Proceedings of the 2nd ACM SIGPLAN International Workshop on Functional Art, Music, Modelling and Design. https://doi.org/10.1145/2633638.2633647. Download
Cox, Geoff, and Alex McLean. 2014. “Not Just For Fun.” In Fun and Software: Exploring Pleasure, Paradox and Pain in Computing, edited by Olga Goriunova, 157–73. Bloomsbury. https://openresearch.lsbu.ac.uk/item/88xx7. Download
McLean, Alex, Julian Rohrhuber, and Nick Collins. 2014. “Special Issue on Live Coding: Editor’s Notes.” Computer Music Journal 38 (1).
McLean, Alex, and Kate Sicchio. 2014. “Sound Choreography <> Body Code.” In Proceedings of the 2nd Conference on Computation, Communication, Aesthetics and X (XCoAx), 355–62. http://2014.xcoax.org/pdf/xcoax2014-McLean.pdf. Download
McLean, Alex. 2013. “The Textural X.” In Proceedings of First Conference on Computation, Communication, Aesthetics and X (XCoAx), 81–88. https://doi.org/10.5281/zenodo.7895677. Download
McLean, Alex, EunJoo Shin, and Kia Ng. 2013. “The Paralinguistic Microphone.” In Proceedings of 13th Conference on New Interfaces for Musical Expression, 381–84. Seoul. https://doi.org/10.5281/zenodo.1178608. Download
McLean, Alex, and Geraint Wiggins. 2012. “Computer Programming in the Creative Arts.” In Computers and Creativity, edited by Jon McCormack and Mark d’Inverno, 235–52. Springer. https://link.springer.com/chapter/10.1007/978-3-642-31727-9_9. Download
McLean, Alex, and Hester Reeve. 2012. “Live Notation: Acoustic Resonance?” In Proceedings of International Computer Music Conference, 70–75. https://quod.lib.umich.edu/cgi/p/pod/dod-idx/live-notation-acoustic-resonance.pdf?c=icmc;idno=bbp2372.2012.012;format=pdf. Download
Cox, Geoff, and Alex McLean. 2012. Speaking Code: Coding as Aesthetic and Political Expression. Software Studies. MIT Press.
McLean, Alex. 2011. “Artist-Programmers and Programming Languages for the Arts.” PhD Thesis, Department of Computing, Goldsmiths, University of London. https://research.gold.ac.uk/id/eprint/6611/. Download
McLean, Alex, and Geraint Wiggins. 2011. “Texture: Visual Notation for the Live Coding of Pattern.” In Proceedings of the International Computer Music Conference 2011, 612–28. https://zenodo.org/record/7895587. Download
Forth, Jamie, Geraint A. Wiggins, and Alex McLean. 2010. “Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems.” Minds and Machines 20 (4): 503–32. https://doi.org/10.1007/s11023-010-9207-x. Download
McLean, Alex, and Geraint Wiggins. 2010. “Bricolage Programming in the Creative Arts.” In 22nd Psychology of Programming Interest Group 2010. Madrid. https://doi.org/10.5281/zenodo.7231929. Download
McLean, Alex, and Geraint Wiggins. 2010. “Live Coding Towards Computational Creativity.” In Proceedings of the 1st International Conference on Computational Creativity 2010, 175–79. https://computationalcreativity.net/iccc2010/papers/mclean-wiggins.pdf. Download
McLean, Alex, and Geraint Wiggins. 2010. “Tidal - Pattern Language for the Live Coding of Music.” In Proceedings of the 7th Sound and Music Computing Conference 2010, 331–34. Barcelona. https://doi.org/10.5281/zenodo.849841. Download
McLean, Alex, Dave Griffiths, Nick Collins, and Geraint Wiggins. 2010. “Visualisation of Live Code.” In Proceedings of Electronic Visualisation and the Arts London 2010, 26–30. https://slab.org/writing/visualisation-of-live-code.pdf. Download
McLean, Alex, and Geraint Wiggins. 2009. “Words, Movement and Timbre.” In Proceedings of New Interfaces for Musical Expression 2009, 276–79. https://www.researchgate.net/publication/228372795_Words_movement_and_timbre. Download
McLean, Alex. 2008. “Live Coding for Free.” In FLOSS+Art, edited by Aymeric Mansoux and Marloes de Valk. Mute Publishing Ltd. https://zenodo.org/record/7940366. Download
Forth, Jamie, Alex McLean, and Geraint Wiggins. 2008. “Musical Creativity on the Conceptual Level.” In Proceedings of International Joint Workshop on Computational Creativity 2008, 21–30. https://doi.org/10.5281/zenodo.7152007. Download
McLean, Alex, and Geraint Wiggins. 2008. “Vocable Synthesis.” In Proceedings of International Computer Music Conference 2008. https://quod.lib.umich.edu/cgi/p/pod/dod-idx/vocable-synthesis.pdf?c=icmc;idno=bbp2372.2008.084;format=pdf. Download
McLean, Alex. 2007. “Improvising with Synthesised Vocables, with Analysis Towards Computational Creativity.” Goldsmiths College, University of London. Download
McLean, Alex, Frederic F. Leymarie, and Geraint Wiggins. 2007. “Apollonius Diagrams and the Representation of Sounds and Music.” In Proceedings of the 4th International Symposium on Voronoi Diagrams in Science and Engineering, 276–81. https://doi.org/10.5281/zenodo.7140761. Download
McLean, Alex. 2004. “Hacking Perl in Nightclubs.” Perl.Com, August 8, 2004. https://perl.com/pub/2004/08/31/livecode.html/.
Cox, Geoff, Alex McLean, and Adrian Ward. 2004. “Coding Praxis: Reconsidering the Aesthetics of Code.” In Read_me Software Art and Cultures, edited by Olga Goriunova and Alexei Shulgin, 161–74. Aarhus University Press. https://zenodo.org/record/7137355. Download
Ward, Adrian, Julian Rohrhuber, Fredrik Olofsson, Alex McLean, Dave Griffiths, Nick Collins, and Amy Alexander. 2004. “Live Algorithm Programming and a Temporary Organisation for Its Promotion.” In Read_me — Software Art and Cultures, edited by Olga Goriunova and Alexei Shulgin. https://zenodo.org/record/7139247. Download
Collins, Nick, Alex McLean, Julian Rohrhuber, and Adrian Ward. 2003. “Live Coding in Laptop Performance.” Organised Sound 8 (03): 321–30. https://doi.org/10.1017/s135577180300030x. Download
McLean, Alex. 2001. forkbomb.pl. https://zkm.de/en/forkbombpl.
Cox, Geoff, Alex McLean, and Adrian Ward. 2000. “The Aesthetics of Generative Code.” In International Conference on Generative Art. https://zenodo.org/record/7135380. Download