I gave a paper and performance for the New Interfaces for Musical Expression conferece last week. It was to be hosted in Birmingham UK, but went online. It seems to have been a big success and the organisers are talking about making future conferences online too, irrespective of pandemic emergencies, in the interests of making the conference more accessible and reducing damage to the planet.
My paper “Algorithmic Pattern” is here, and here is a 10 minute demo of some of the ideas in it:
Here’s my performance, demonstrating my prototype ‘feedforward’ editor. The NIME audience seemed to enjoy that I left a crash in..
Here’s my set from the Tokyo x Yorkshire show live on DOMMUNE last month:
It was a lot of fun, you can see the whole show over on the eulerroom channel featureing 2.5 hours of top performances and a two-hour bilingual chat.
Bluedot 2018 was a great time, here’s a nicely live edited film of it.. Catch Sam + me as CCAI from around the 2h1m mark.. As well as top stuff from Innocent, Digital Selves, TYPE and AlgoBabez.
I wrote a paper with Ellen Harlizius-Klück and Dave Griffiths called “Digital Art: A Long History“, accepted to Live Interfaces (ICLI) 2018. From the abstract: “A digital representation is one based on countable, discrete values, but definitions of Digital Art do not always take account of this. We examine the nature of digital and analogue representations, and draw from a rich pre-industrial and ancient history of their presence in the arts, with emphasis on textile weaves. We reflect on how this approach opens up a long, rich history, arguing that our understanding of digital art should be based on discrete pattern, rather than technological fashion.” You can read the pre-print here.
I’ll also be performing with my new Feedforward editor in ICLI, here’s a recent performance with it in Reykjavik:
I actually started ICLI in Leeds back in 2012 with Kia Ng, and I’m super excited to be attending the fourth biannual edition of the conference, especially as it has such a solid programme.
Announcing another project! I’m artist-in-residence at CMC Playground, the exhibition and arts programme that is part of annual Children’s Media Conference in Sheffield, funded by Arts Council England. This is going to be a lot of fun, working with children in Crofton Academy in Wakefield, and Wybourn Community Primary in Sheffield, the results shown in the exhibition at the start of July. I’ve worked with these schools before, doing a crazy tanglebots workshop with a class at Wybourn, and working with a visually impaired pupil at Crofton Academy to control a laser cutter with code for his GCSE coursework. This time I’m planning on exploring coding and pattern – encrypting messages in Quipu-inspired structures, and making music through TidalCycles drumming circles. Fun!
I’m really happy to be arranging a cultural exchange between live coders in Yorkshire in Tokyo, with Access Space and in collaboration with Renick Bell. We are still working things out but so far have funding support from Arts Council England, the British Council and Great Britain Sasakawa foundation.
We’re still making the final programme and searching for additional funds, but it looks like we will have events in Sheffield and Leeds between 30th August and 4th September, and in Tokyo and Osaka between 8th and 18th November, including micro residencies, workshops, concerts and algoraves.
The funding will help support artists traveling between Tokyo and Yorkshire. From the Tokyo side we have:
- Chiho Oka (twitter | soundcloud)
- Akihiro Kubota (twitter | homepage)
- Atsushi Tadokoro (twitter | homepage)
- Renick Bell (twitter | homepage)
From the Yorkshire side we have:
- Joanne Armitage (twitter | homepage)
- Lucy Cheesman (twitter | homepage)
- Alex McLean (twitter | homepage)
Hope you can join us if you’re nearby Sheffield/Leeds or Tokyo/Osaka! We’ll share more details on the events soon. As a special preview Renick will join us in Sheffield for a performance this very Saturday..
There has been a lot of exciting live coding stuff coming out of Japan, with Renick Bell a major agitator with his Conductive system, plus a lot of audio/visual work from people like Atsushi Tadakoro. I’m really happy then to get an Arts Council England/British Council artist international development award to visit Tokyo myself, hosted by Renick. It’ll be great to link up with TidalCycles people there, see what they’ve been doing with it, as well as perform + run workshops. Can’t wait..
A couple of things to share:
1. Happy to be introducing live coding to the Off Me Nut records halloween special, a proper Sheffield warehouse party on 27th Oct 2017. They made me this months “five star spooky recommendation”, putting the pressure on..
2. I had a great time playing the Haptic Somatic night at Unsound Archives festival, and the following morning was interviewed by Elsa Ferreira for the french edition of Vice’s Noisey. You can read the results here if you know French, or otherwise enjoy the google translation.
3. Lastly, had fun times in a live code duet with Joanne at the No Bounds Algorave last weekend, here’s the video:
- 28th Sept, Haptic Somatic @ Unconcious Archives festival London – playing solo at Corsica Studios, awesome festival to be part of and one of my most favourite venues.
- 14th Oct, Algorave @ No Bounds Festival Sheffield – teaming up with Dr Joanne in Access Space as part of a stellar no bounds line-up, will get heavy
- 20th Oct, Picture House Social Sheffield – live coding solo, joining the support for Marie Davidson
- 9-12th Nov, then the big one, AlgoMech festival Sheffield – I’m organising four days of algorithmic and mechanical music + art, with 65daysofstatic headlining an incredible line-up, if I say so myself.
AlgoMech – the festival of Algorithmic and Mechanical Movement is back for its second year. At one point I had strong doubts about doing a second edition of the festival (would it be AlgoMeh?) but it’s come together into something that I’m really excited about.
It will have an exhibition, with a nice mixture of machinery, textiles, projections and software art. Putting an exhibition together is way out of my comfort zone but with the artists involved I’m not worried. There’ll also be Open Platform performance art event within the exhibition, always revelatory events with performances about technology, but without technology. More to be announced, including work from Ellen Harlizius-Klück and FoAM Kernow.
The least likely performances will be from two bands bridging the divide between guitar+drums and techno. Amazingly 65daysofstatic (a band from South Yorkshire who want you to be happy) are going to headline, performing brand new work Decomposition Theory, three times. It’s unclear what they’re up to but it looks like it’s going to involve algorithms and maybe live coding (they’ve been known to dabble with gibber and also Tidal already).
Two of the 65dos shows will have the strongest support I could imagine in this context – aggrobeat band Blood Sport teaming up with live coder Heavy Lifting aka Lucy Cheesman. Blood Sport already make a kind of repetitive post-punk techno, with Lucy involved (as Heavy Bleeding) it’s going to be intense.
Then there’ll be the Algorave. It shows how far this scene has come that last year there were 12 top notch acts, and that they’ll be around the same again this year (more TBA) without repeats. Graham Dunning’s mechanical techno went down really well last year, so I’ve mixed in some more mechanisms this year. Firstly Faubel and Schreiber making minimal techno-generating robots, projected using an overhead projector. Also goto80 + Remin, where goto80 will do live tracking on a commodore 64, and Remin will provide a robotic hand, typing music on a commodore 64. The live coders I’ve booked have been doing amazing stuff lately. If last year is anything to go by, this is going to go off.. As a resident I’m happy to be collaborating with Dave Griffiths and Alexandra Cardenas as Slub as well..
The final day will be more relaxed and reflective. A longer form kinetic sound art performance from Ryoko Akama and Anne F, I’m hoping to find a special venue for that.. Then in the evening a Sonic Pattern event with five amazing mechanical music acts packed in – Leafcutter John, Sarah Kenchington, Naomi Kashiwagi, Camilla Barratt-Due and Alexandra Cardenas, and Peter K. Rollings. I’m trying to put my finger on this feeling I get from this group of people. It reminds me of my days organising dorkbot, it’s not a case of artists being happy to step out of their comfort zone. They are totally comfortable, they just cheerfully disregard all technological boundaries on their search for sounds and ideas, and just make amazing stuff.
A really nice symposium line-up is starting to emerge too, but that won’t be announced for a few days. Plus some hands-on workshops. .. and probably some more to come..
Anyway my hope is that by bringing these human artists together, working with algorithms and mechanisms, we’ll have the opportunity to really feel the connections between physical and abstract systems, and get a richer, longer (into the past and future) + human-centric view of what technology can be.