Women in computer music
(An earlier version of this post was directed at some other events in addition to mine, but these references turned out to be factually incorrect and more upsetting for the people involved than I could have imagined, partly because they have been working tirelessly and successfully to address the below concerns. Sincere apologies.)
Here’s an interesting looking event: Algorave.
This event has some things in common with many events in UK electronic music; it has fine organisers and performers who are among my friends, it involves performance of computer music, and has a long list of performers,
nonefew of whom are women. I feel able to criticise this latter aspect because I am one of the organisers, I am male and so cannot be accused of sour grapes for not being invited, and because I think it’s in everyone’s interests for this situation to be put in the spotlight — we should be open to ridicule.
I went to a live coding event in Mexico City recently, they’ve built a truly vibrant live coding scene over the past two years, and gender balance seems to be a non-issue, in terms of performers, audience and atmosphere. It may have been the mezcal, but compared to the often boarish atmosphere around UK computer music events, it felt refreshingly healthy.
What can be done about it? In software engineering, if you release an all-male invited conference line-up, you will probably be quickly ridiculed and maybe shut down. While this is disasterous for the people involved, to me it signals a healthy improvement. This is not really about positive discrimination, but more about not having the same old safe line-ups built from the regular circuit of white middle class men, and doing some outreach. Note that this is a recent problem, the UK electronic music scene was in large part founded by women, who through recent efforts are only now being recognised.
I really want to organise events showcasing people writing software to make music for crowds to dance to, but I can’t find female producers in the UK or nearby who are doing this kind of thing (please let me know of any you know!). I don’t know why this is – maybe because of a general higher education music technology focus on electroacoustic music? There are fine people such as Holly Herndon further afield, but I don’t think I can afford to bring her over. There are plenty of female computer musicians, but for some reason I don’t know any making repetitive dance music. This seems a peculiar problem to the narrow focus of algorave — I was recently involved in a fairly large performance technology conference which did seem reasonably balanced across organisers, presenters, performers and audience.
For my next step, I’m looking for funding to work with experts on making generative/live coded electronic dance music more accessible to female musicians (any help with that also appreciated!). The algoraves could also have an ambient/illbient stage, which would be massively easier to programme, but I’m not sure if we’ve got the audience for two stages at this point. I’d also like to lend support for guidelines to electronic/computer music organisers to follow to improve this situation, Sarah Angliss raised this as a possible move forward. Lets see how that goes, but in the meantime feel free to ridicule any male-only line-ups I’m involved with, for the retrogressive sausage parties they are. I think that ultimately, the pressure for reform is positive.