(a thought in progress..)
Like many I’ve been preoccupied with thoughts about the writing of Mark Fisher, and his untimely death. As Nathan Jones put it, “Mark Fisher was a giant. Such a cruel irony that the man who so eloquently and honestly articulated the links between mental health, politics and economics would be taken from us like this, at this time.”
It’s OK to be unsatisfied with the way things are going, culturally, politically.
I’m starting to think about the next AlgoMech festival, and Peter Rollings got in touch about his Experimental Sonic Machines. He doesn’t have a website, but intrigued, I searched out this documentary someone had made about his machines and street performances:
I can’t really summarise this, it has to be watched. The work with found materials, the open, reflective approach to creativity, the machines, the self-deprecation against the startling, edgy music.. I love it.
There’s more videos on youtube, footage of some pretty amazing looking performances and constructions.. and also Rollings appearing on Britain’s got talent. From the start it’s stomach churning, childish playground bullying, mocking someone because they don’t fit with sickly, oppressive norms. After the previous video, it’s a miserable experience. Adds something to the classically-Guardian headline “Is Simon Cowell to blame for the end of western civilisation?”
How can we strip away this awful, retrogressive misery, and make space for genuinely new culture+ideas to emerge? On this tip, it’s good to hear that Alexandra Cardenas is taking her live coding to street performances, like Rollings, finding public space to try new things out.
I’ll leave you with this from Fisher: